A beloved and engaging series that’s more relevant than ever.
With the 2048 U.S. presidential race at a deadlock, an unexpected nominee emerges: Eugene, Oregon, 19-year-old Beth Ross.
When Beth’s hair gets caught in a deep-fat fryer at her fast-food restaurant job, she goes viral as Corndog Girl. All she wants is to focus on community college and taking care of her dying father, who’s confined to a hospital bed, in need of treatment that his insurance won’t cover. But the power of social media turns Beth’s overnight fame into a political candidacy—and, shockingly, she wins, despite the best efforts of corrupt senators and CEOs. Beth doesn’t want anything to do with the presidency, but she realizes this opportunity gives her a chance to enact real change for the country. So Beth steps up and gets to work tackling war, international diplomacy, climate change, and corporate greed. This reformatted and expanded release of the 2016 original contains the first six issues of the DC Comics series, plus Catwoman: Election Night #1 and a new Prez story, “The Final Frontier.” This work seamlessly meshes comedy with refreshingly blunt commentary on major social and political issues. Teens will appreciate this laugh-out-loud funny and visually enticing read that’s illustrated in a classic comic-book style with vibrant colors and expressive characters. Many recurring characters read white; there’s ethnic and racial diversity among the supporting cast.
A beloved and engaging series that’s more relevant than ever. (concept sketches) (Graphic fiction. 14-18)Pub Date: June 4, 2024
ISBN: 9781779528964
Page Count: 184
Publisher: DC
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A meditation and adventure quest offering solace to anyone bearing an unfair burden.
What does it mean to come into your own power by letting go of it?
The villagers of Empalme devoutly pray to Solís, the feared higher power who unleashed La Quema, or fire, on humanity for its ills of greed, war, and jealousy. As the village cuentista, Xochitl listens to and receives the villagers’ stories into her body, clearing their consciences, preventing the manifestation of their nightmares, and releasing them to Solís in the desert. Having diligently played this role since childhood, she is now a deeply lonesome 16-year-old whose only comfort comes from cherished poems. Worn weary by her role, she leaves on an odyssey in search of another way to exist. In their sophomore novel, Oshiro deftly weaves an intricate, allegorical, and often gory tale within a post-apocalyptic desert setting that readers will feel so viscerally they may very well need to reach for a glass of water. It is a world parallel to ours, rife with Biblical references and the horrific traps that Latinx immigrants face while seeking better lives. Xochitl’s first-person, questioning narration—interlaced with terrifying cuentos that she receives on her journey—is the strongest voice, although secondary and tertiary characters, both human and mythical, are given a tenderness and humanity. All main characters are Latinx, and queer relationships are integrated with refreshing normality.
A meditation and adventure quest offering solace to anyone bearing an unfair burden. (Fantasy/horror. 14-18)Pub Date: Sept. 15, 2020
ISBN: 978-1-250-16921-1
Page Count: 432
Publisher: Tor Teen
Review Posted Online: June 24, 2020
Kirkus Reviews Issue: July 15, 2020
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