An ambitious, insightful novel about two damaged people struggling to overcome their pasts.
A complex psychological tale examines grief and unlikely redemption.
In his debut novel, Salamon charts the slow and often torturous paths taken by his two main characters through the traumatic events of their lives as their arcs gradually converge. Margaret lives in a small town outside of Madison, Wisconsin, and we watch as her young life is marked by tragedies, including a hunting trip with her father that goes horribly wrong and the deftly orchestrated scene where she walks into her home seconds after her mother’s botched suicide attempt. Alternating with these episodes told from Margaret’s point of view are scenes from the perspective of Thomas Ackerman, a successful California doctor who finds his life derailed when his beloved wife is diagnosed with inoperable cancer and quickly dies. Margaret is seeking desperately to find a way out of the life she’s enduring. Thomas (the better-realized of the two characters throughout the book’s first half) simply checks out of his own life, becoming so paralyzed with grief that his son hires a preternaturally competent caretaker named Stephen (who “looked like an accountant with a killer weekend golf game”) to take care of the household. Shattered, sleep-deprived Thomas shambles through his days as a kind of emotional zombie, and although he reflects that “tragedy can pull a family together or push them apart,” his own family life seems every bit as poised on the edge of obliteration as Margaret’s, whose sense of isolation only deepens when she becomes a single mother. Salamon displays remarkably tight control over his complicated plot, often enlivening his strong narration with memorable descriptions (to dazed Thomas, a couple of nurses glimpsed at the hospital “seemed impossibly young, as if they were continuing a game of pretend they’d started at home”). The book’s parallel stories of wounded souls converge when Thomas’ son begins to fall in love with Margaret’s daughter, at which point the drama intriguingly multiplies. Fans of the sharp-edged, character-driven novels of Carol Cassella and Chris Bohjalian will find here a promising new author to follow.
Pub Date: April 25, 2016
ISBN: 978-1-5078-5819-6
Page Count: 460
Publisher: CreateSpace
Review Posted Online: April 28, 2016
Kirkus Reviews Issue: June 1, 2016
Review Program: Kirkus Indie
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
