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THE MAN WHO QUIT MONEY

An ambiguous collaboration, with sundry forms of cross-marketing that raise a caveat lector sign for readers willing to take...

A sophisticated blend of memoir, biography, romantic travelogue, history and psychology, creating a marketable modern myth about a pseudo-saintly survivalist.

Sundeen (The Making of Toro: Bullfights, Broken Hearts and One Author's Quest for the Acclaim He Deserves, 2003, etc.) tells the tale about how he crossed paths with Daniel Shellabarger, aka Suelo, amid the hip atmosphere he calls “Moab Chic.” The author juxtaposes a suicide attempt by Suelo against his present lifestyle, evoking the image of the phoenix rising from the ashes: “Daniel Shellabarger died as a modern man driving his car over a cliff, and was reborn as an eternal man—without money or possessions, with only his two feet and two hands, trying to climb back to the top.” Some readers may find it difficult to figure out whether the subject is a saintly figure, a madman or a clever political huckster. In addition to the suicide attempt, Sundeen examines Suelo's repeated mental breakdowns over a period of a few years—“I may have sacrificed my sanity but have gained something indescribable that is eternal”—and then explains how Suelo now essentially lives without money. A dumpster-diver who has repudiated the modern cash economy and lives in a cave, he has also been a regular housesitter over more than two decades. In exchange for food and shelter, he barters his services and does volunteer work, but he does not accept money (or pay taxes). Suelo is not shy about self-promotion on his website and Facebook page, where he also promotes this book but gives top billing to his organizing efforts against banks and taxation. Hopefully he is genuine about his mostly impressive lifestyle choices, but it’s occasionally difficult to discern his motives from this text.

An ambiguous collaboration, with sundry forms of cross-marketing that raise a caveat lector sign for readers willing to take the plunge and read this modern picaresque.

Pub Date: March 6, 2012

ISBN: 978-1-59448-569-5

Page Count: 272

Publisher: Riverhead

Review Posted Online: Nov. 6, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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