An often entertaining, action-heavy thriller that hits some familiar beats.

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WAGES OF SIN

From the Luis Chavez series , Vol. 3

In Wheaton’s (City of Strangers, 2016, etc.) third series installment, Father Luis Chavez and Los Angeles Deputy District Attorney Michael Story investigate a massive money-laundering scheme.

At dinner, Story’s girlfriend and co-worker, Naomi Okpewho, tells him that she’s just stumbled across some troubling information about Charles Sittenfield, a banker, who’s under investigation for his wife’s murder. Specifically, Naomi has found evidence of “something that could lead to additional charges outside the scope of this investigation.” However, on her drive back home, Naomi dies in a suspicious accident, and Story figures that it must be related to the Sittenfield case. At the same time, Chavez is dealing with a crisis of faith: he can no longer hear God’s voice, and he feels as if he is going through the motions instead of being a true vessel for the Lord. He’s also troubled by his estranged father’s reappearance in his life. Story is attacked while meeting with Gennady Archipenko, a money launderer who works at Sittenfield’s bank, and this leads to the death of one of Chavez’s parishioners, drawing him, reluctantly, into the mystery. Together, Story and Chavez uncover a massive financial conspiracy that puts their lives—and those of everyone in their orbit—in peril. Wheaton is skilled at plotting, always keeping the revelations and twists coming. He also knows when to punch things up with a firefight, which he does often. The prose is dialogue-heavy and often stylistically plain. Still, Wheaton does offer some clever turns of phrase, such as Story’s foreboding realization that “the mouth of my grave has opened.” The characters sometimes stray into cliché—a drug-cartel boogeyman, a Russian white-collar-crime maestro, a young computer whiz. But Wheaton creates some real emotional tension as Chavez investigates the Roman Catholic Church, the very institution to which he’s pledged his life. The various connections of the money-laundering conspiracy can stretch credulity at times, but most of the plot threads are neatly tied up by the end, which includes hints of more stories to come.

An often entertaining, action-heavy thriller that hits some familiar beats.

Pub Date: June 13, 2017

ISBN: 978-1-4778-1944-9

Page Count: 300

Publisher: Thomas & Mercer

Review Posted Online: May 20, 2017

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.

THINGS IN JARS

Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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