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COSBY

HIS LIFE AND TIMES

The answer is yes, and in more ways than one. An eye-opening book and a pleasure to read.

Readable, thoughtful life of the brilliant comedian and entrepreneur.

Later generations of comedians have made a good living from portraying Bill Cosby (b. 1937) as a milquetoast unwilling to court controversy. They’re unfounded, suggests Whitaker (My Long Trip Home: A Family Memoir, 2011), who was the first African-American editor of Newsweek. Cosby may incline toward a kind of meritocratic conservatism, but when he was at the peak of his game, he was always bending and breaking the rules, “stubbornly dispensing with all of the usual ingredients.” He was also a pioneer, the Jackie Robinson of popular entertainment, the first black comedian to find true superstardom among a predominantly white audience, using that renown to subtly advance the civil rights agenda—the operative word being subtly, for vehicles such as the 1960s TV hit series I Spy were phenomenally influential in simply depicting the possibility of black and white people working together and enjoying friendship without reference to race at all. Nonconfrontational but earnest, Cosby also made a fortune for NBC—so much so, as Whitaker chronicles, that at one point, Cosby came close to buying the network. The author traces Cosby’s rise, drawing on elements of his own life for comedic material; as Whitaker charts Cosby’s growing success and elevation to one of the richest men in show business, he turns up episodes in which the eminently avuncular, cardigan-wearing comic exercised a steeliness and rough temper that “could flare suddenly and sometimes violently, particularly when he thought he was being disrespected.” (For an example of Cosby’s brawling capacities, see his encounter with mild-mannered liberal icon Tommy Smothers, Whitaker’s account of which is worth the book’s cover price alone.) Whitaker closes this lucid, often entertaining biography with a pointed look at the oft-mooted question: Did Bill Cosby make Barack Obama possible?

The answer is yes, and in more ways than one. An eye-opening book and a pleasure to read.

Pub Date: Sept. 16, 2014

ISBN: 978-1-4516-9797-1

Page Count: 544

Publisher: Simon & Schuster

Review Posted Online: July 26, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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