A finely crafted tale about grief and mother-daughter relationships.
A debut thriller tells the story of a woman’s reinvigorated search for her long-missing daughter.
Jesse Albright last saw her daughter, Sophie, six years ago near a circular rack in the kids’ section of the mall clothing store Zone. Every week since the 10-year-old went missing, Jesse has returned to the same spot with the irrational hope that she might find her child: “She’d always told her daughter that if they ever got separated, she should go back to the last place they had been together.” The intervening six years have been hard on Jesse, who frequently talks out loud to her missing daughter even when other people are around to hear it. She’s lost her husband and now toils at a used bookstore, where Star Silverman, who was Sophie’s best friend, has just begun working as well. Star grasps that Jesse is uncomfortable around her and that the woman is having an affair with a married realtor. The teenager also knows about another missing girl whom private investigator Kentucky “Tuck” Barnes has come to town to find. Star has her own guilt surrounding Sophie’s disappearance, and when she and Jesse begin to finally share clues, the girl’s case starts suddenly to seem a little less cold than before. Adelstein’s prose is sharp and haunted, and her traumatized characters are not shy about sharing their grim imaginings of what happened to Sophie. “Her decomposed body is lying in some ditch,” the surly Star tells another teen. “Or her bones are in a Hefty bag in some hand-dug grave after she was forced to commit vile sex acts on some pervert.” Some of the aspects of the plot, like 10-year-old Sophie’s deep interest in bird-watching, strain credulity a bit, but the characters are generally quite convincing, and the narrative is highly engaging. The devastation wrought by Sophie’s absence infects nearly every interaction. The relationship that forms between Jesse and Star—which becomes based on more than simply Sophie’s disappearance—turns out to be nearly as compelling as the mystery itself.
A finely crafted tale about grief and mother-daughter relationships.Pub Date: Nov. 20, 2018
ISBN: 978-1-948051-18-7
Page Count: 306
Publisher: Red Adept Publishing
Review Posted Online: Jan. 14, 2019
Review Program: Kirkus Indie
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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