A lively but campy murder mystery.
In this sequel, a woman’s beloved aunt disappears and clues surface that suggest foul play.
Annalisse Drury is tormented by the uncertainty of her relationship with Alec Zavos, a fabulously wealthy heir to his family’s business empire, and discontented with life in Manhattan and its “cold streets crowded with absentminded New Yorkers fascinated by their phones.” She escapes “Zombieland” for the familiar solace of Walker Farm, a bucolic redoubt in upstate New York where her Aunt Kate lives. But instead of serenity, Annalisse encounters something more discomfiting: Kate’s son, Jeremy, an unsavory character, has decided to sell the farm, and his mother is legally powerless to stop him. Then Kate’s hired hand, Ethan Fawdray, finds a dead man in the barn, a decomposed body with an identification card that belongs to Thomas Taylor, a name that elicits an astonished gasp from Kate, though she refuses to disclose what it means to her. Later, Kate suddenly vanishes, leaving behind evidence that she “fought off an assailant.” Annalisse is beside herself with worry, and Alec calls private investigator Bill Drake to track down Kate. Bell’s (Stolen Obsession, 2018) second installment of the Annalisse series isn’t a stand-alone novel—the plot makes repeated references to its predecessor and even ends with a hint of yet another volume. Those considering reading this book should read the preceding work first. The plot is busy with layers of drama—Alec is being blackmailed by Karl Brooks, his ex-wife’s paramour, a money-hungry drug dealer. The author has a keen eye for the corrosive effects of long-standing secrets, especially those that haunt families. In addition, the story marches to its conclusion at an indefatigable pace, breathlessly action-packed. But the tale also has a soap-operatic quality to it, delivering histrionic melodrama nearly to the point of inadvertent comedy and stark implausibility. For those readers in search of theatrical hyperbole, Bell delivers with an easily companionable style.
A lively but campy murder mystery.Pub Date: Nov. 18, 2019
ISBN: 978-0-9995394-2-2
Page Count: 378
Publisher: Ewephoric
Review Posted Online: Jan. 17, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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