A lively but campy murder mystery.
In this sequel, a woman’s beloved aunt disappears and clues surface that suggest foul play.
Annalisse Drury is tormented by the uncertainty of her relationship with Alec Zavos, a fabulously wealthy heir to his family’s business empire, and discontented with life in Manhattan and its “cold streets crowded with absentminded New Yorkers fascinated by their phones.” She escapes “Zombieland” for the familiar solace of Walker Farm, a bucolic redoubt in upstate New York where her Aunt Kate lives. But instead of serenity, Annalisse encounters something more discomfiting: Kate’s son, Jeremy, an unsavory character, has decided to sell the farm, and his mother is legally powerless to stop him. Then Kate’s hired hand, Ethan Fawdray, finds a dead man in the barn, a decomposed body with an identification card that belongs to Thomas Taylor, a name that elicits an astonished gasp from Kate, though she refuses to disclose what it means to her. Later, Kate suddenly vanishes, leaving behind evidence that she “fought off an assailant.” Annalisse is beside herself with worry, and Alec calls private investigator Bill Drake to track down Kate. Bell’s (Stolen Obsession, 2018) second installment of the Annalisse series isn’t a stand-alone novel—the plot makes repeated references to its predecessor and even ends with a hint of yet another volume. Those considering reading this book should read the preceding work first. The plot is busy with layers of drama—Alec is being blackmailed by Karl Brooks, his ex-wife’s paramour, a money-hungry drug dealer. The author has a keen eye for the corrosive effects of long-standing secrets, especially those that haunt families. In addition, the story marches to its conclusion at an indefatigable pace, breathlessly action-packed. But the tale also has a soap-operatic quality to it, delivering histrionic melodrama nearly to the point of inadvertent comedy and stark implausibility. For those readers in search of theatrical hyperbole, Bell delivers with an easily companionable style.
A lively but campy murder mystery.Pub Date: Nov. 18, 2019
ISBN: 978-0-9995394-2-2
Page Count: 378
Publisher: Ewephoric
Review Posted Online: Jan. 17, 2020
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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