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GROWING UP LAUGHING

MY STORY AND THE STORY OF FUNNY

Good for beach-readers interested in celebrity memoir and famous comedians.

That Girl star and Emmy-winning TV veteran attempts to find out how humor works.

Thomas (The Right Words at the Right Time: Volume 2: Your Turn!, 2006, etc.), the daughter of funnyman Danny Thomas, builds on her thriving second career as a nonfiction writer. Each chapter contains an autobiographical section—with the author’s memories of encountering funny famous folks during her upbringing in Southern California—along with an interview section featuring big-name comedians in the league of Jerry Seinfeld, Chris Rock, Robin Williams and Billy Crystal. Although interview banter with natural wits like Jon Stewart or Stephen Colbert is an easy sell, it’s Thomas’s autobiographical musings that are the most compelling aspect of the book—e.g., the surprisingly affecting story of her determination to carve out an identity as an actress without the help of her famous father. Particularly refreshing is the description of her coming-of-age in Beverly Hills at a time when the neighborhood still had a middle-class feel and was full of unpretentious eateries and mom-and-pop shops. Even more surprising to learn is that her father, unlike so many celebrity fathers, seems to have been a kind, caring, loving patriarch. On the downside, Thomas’s interviewing style is fawning at best, and except for a chat with a feisty and recalcitrant Elaine May and the always-amusing Don Rickles, the author’s questions fall too often in the “So, you were the class clown?” category. Her responses are often limited to “That’s so funny,” “Ah-ha” and “Wow.” Although all her subjects have big personalities and star-quality wit, there’s rarely any original, penetrating insight into the formative human experiences that coagulate to create the perfect comedic brain. There are patterns, of course: Often a comedian will come from a funny family or use humor as a way of masking insecurities, but these are hardly major revelations.

Good for beach-readers interested in celebrity memoir and famous comedians.

Pub Date: Oct. 1, 2010

ISBN: 978-1-4013-2391-2

Page Count: 400

Publisher: Hyperion

Review Posted Online: Aug. 12, 2010

Kirkus Reviews Issue: Sept. 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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