by Martha Beck ‧ RELEASE DATE: March 1, 2005
Set aside an evening when you won’t be interrupted, lay in boxes of Kleenex, and give yourself to a gripping memoir.
Riveting account of a journey home, a family crisis, and a spiritual search.
Memoirist Beck (Expecting Adam, 1998, etc.) returns to Mormon-land with her husband and two small children. Her younger child was born with Down syndrome, and the Becks decided that their hometown in Utah would offer a better environment for raising young Adam than the cutthroat world of Harvard Square (where everyone had pressed the Becks to abort as soon as the amnio results were in). Indeed, they are welcomed with open arms, shiny smiles, and many casseroles, and both Becks find posts at Brigham Young University, that bastion of Latter-day Saint higher education. But it’s a rough time to be at BYU, since the church hierarchies are weeding out intellectual Mormon dissidents. (Beck is instructed to teach “Sociology of Gender” without using the word “feminism.”) Beck watches in horror as the church’s crackdown culminates in the trials of the famous September Six, LDS scholars tried for heresy (five were excommunicated). Despite all the neighborly support, Beck is plagued with inexplicable pain, nightmares, and, ultimately, previously repressed memories of childhood sexual abuse by her father, a prominent Mormon apologist. Finally, deciding they can’t stay in Utah, the family leaves both the state and the church. But Beck remains ardently spiritual, finding faith in a generous God who, she knows, loves her even more than she loves her own children. Her sarcastic self-scrutiny and laugh-out-loud prose elevate her story far above the run-of-the-mill dysfunctional family memoir. And though Beck is critical of the LDS Church—its attempts to cover-up sexual assaults in Mormon homes, its refusal to deal with historical and archaeological finds that challenge orthodox doctrine—this is not a trashy exposé but a loving, sad account of coming home again, however sure it is to spark controversy in the corridors of power in Salt Lake City.
Set aside an evening when you won’t be interrupted, lay in boxes of Kleenex, and give yourself to a gripping memoir.Pub Date: March 1, 2005
ISBN: 0-609-60991-2
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2004
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by Martha Beck
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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