An earnest, emotionally honest effort with lovely illustrations complementing a sweet if sentimental message.

READ REVIEW

LOVE, SANTA

A girl named Lucy writes letters to Santa each Christmas as she comes to understand who Santa really is.

The story opens when Lucy is 5, as she prints her letter to Santa, tongue sticking out with the effort. The letter is shown in the accompanying illustration, and a facsimile letter is included in a fancy, gold envelope glued into the book. Lucy’s letters from the next two Christmases are included in similar, attached envelopes, along with two letters in red envelopes that Santa leaves in response. When Lucy is 8, she writes a note to her mom asking if she is Santa, on Christmas morning receiving a letter in one of Santa’s red envelopes but written by Lucy’s mom. This letter is long and sentimental, explaining that “parents” give the actual presents, but the spirit of Santa is real. Charming watercolor illustrations show Lucy’s development. One picture of Santa looking on in dismay as Lucy writes a doubtful letter (“Why does your handwriting look like my mom’s?”) introduces ambiguity about what’s real and what isn’t. (Lucy is also shown riding her bike without a helmet.) Lucy, her parents, and Santa are white; background figures are racially diverse. The admission of parental involvement in Santa’s gift deliveries may make it unsuitable in households with little ones who still believe in Santa’s magic.

An earnest, emotionally honest effort with lovely illustrations complementing a sweet if sentimental message. (Picture book. 6-9)

Pub Date: Sept. 26, 2017

ISBN: 978-0-545-70030-6

Page Count: 32

Publisher: Scholastic

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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