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THE FALL OF ROME

An elegantly written story with serious concerns is lamentably undermined by much too often showing more than it tells.

Evocative but disappointingly inert, Southgate’s second outing (after Another Way to Dance, 1996) depicts the conflicting tensions of experience and expectations that confront African-American males in traditionally white schools.

The carefully organized tale has three protagonists, each representing different points of view as they negotiate the minefield of race relations at Chelsea, a Connecticut boarding school for boys. Each has a reason for being at Chelsea, whose headmaster is eager to have a more diverse student body (a rich alumnus has offered a big gift if minority enrollment increases). African-American Latin teacher Jerome Washington has been on the faculty for more than 20 years. A graduate of Harvard who taught in Boston public schools until his brother Isaiah, a felon, was killed, has found peace there teaching the language and culture of a civilization he believes was racially egalitarian as well as advanced. Known for never smiling, he believes his role is to introduce the students to a great culture; demonstrate that African-Americans are not all the same; and teach that what matters is “individual effort and rigor.” African-American freshman Rashid Bryson, from Brooklyn and still mourning the recent death of older brother Kofi, who was killed while observing a robbery, wants the education Chelsea can provide. And idealistic white English teacher Jana Hansen, back East and burned out from teaching in Cleveland’s inner-city schools, is ready to make a new life. As the schoolyear passes, Jerome gives out some tough treatment to Rashid; Rashid, trying to adapt, is hurt by Jerome’s ways; and Jana, though attracted to Jerome, is determined that Rashid succeed. While the two teachers disagree about how best to help Rashid, the boy, finally talks about his brother’s death at an assembly, but the scars all three bear, especially Jerome, provoke further painful outcomes.

An elegantly written story with serious concerns is lamentably undermined by much too often showing more than it tells.

Pub Date: Feb. 1, 2001

ISBN: 0-684-86500-9

Page Count: 224

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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