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BEHIND ENEMY LINES

THE TRUE STORY OF A JEWISH SPY IN NAZI GERMANY

A feebly written profile in courage. (8 pages b&w photos, not seen)

A Jewish nurse recalls her myriad adventures in WWII as a spy operating under the noses of the Nazis.

Cohn, who grew up in French Lorraine but spoke German fluently, begins in 1945. Posing as a German nurse, she is about to slip into enemy territory as an intelligence agent. She ends the first chapter with Nazis pointing weapons at her, then invites us to wait as she fills in the intervening autobiographical detail. Born in 1920, Cohn experienced the Holocaust firsthand. Like many others, she and her family found themselves gradually isolated, then singled out for arrest and deportation. (A sister died at Auschwitz; her lover was executed for his resistance activities.) A determined young woman whose features the Nazis did not consider “Jewish,” Cohn was able to acquire some nurse’s training. When Paris was liberated, she joined the French army and by January 1945 was working undercover. She went on a number of dangerous missions (principally to detect enemy troop locations) and after the war returned to nursing, including a stint in Indochina. She eventually married, raised a family, moved to California. If all is to be believed, Cohn was a remarkable woman: she chastised Nazis to their faces, intimidated the prisoners she interrogated, learned to drive a stick-shift in one hour, possessed a photographic memory, verbally chastened a would-be rapist so severely that he not only abandoned his assault but offered to marry her, attracted the amorous attentions of most of the men she met, was a crack shot, survived falls through the ice, bullets, tanks, and traitors. Meanwhile, the prose—with an assist from novelist Holden (Farm Fatale, 2002, etc.)—is not worthy of the subject. Bristling with clichés, the text features long passages of humdrum dialogue (recalled verbatim from a half-century ago?) and has all the stylistic sophistication of a YA novel.

A feebly written profile in courage. (8 pages b&w photos, not seen)

Pub Date: Dec. 1, 2002

ISBN: 0-609-61054-6

Page Count: 304

Publisher: Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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