Psychiatrist and law professor Blinder debuts with the tale of Warren Harding’s last decade or so—often in the voice of Nan Britton, a young, devoted, beloved mistress. Handsome, generous, empty-headed, and well-liked, Harding is a 46-year-old newspaper publisher and city politician in Marion, Ohio, when local 15-year-old Nan Britton first falls in love with him and worships him from afar. The year is 1912, and it isn—t long before the modest Harding is reluctantly drawn into a successful race for the Senate, urged on by the clique of —friends— who will later (as in the Tea Pot Dome scandal) taint his administration hopelessly with corruption. The adoring Nan follows him to Washington, where he takes her under his wing, finds her an apartment, watches out for her: only with a rather touching gradualness (the First Lady, suffering eternally from unspecified maladies, is ambitious but profoundly sexless) do the two become lovers. Once Harding is in the White House (having been nominated by a —fluke— during a deadlocked Republican convention) and finds how lonely life is, he turns even more passionately to Nan, who in turn supports him all she can as he tries to grow with the job, educating himself ruthlessly and evolving, surprise of surprises, into more and more of a liberal. His self- serving advisors and cabinet, however, eat away from within at all he tries to accomplish, and the rigor and disappointment of the presidency exacerbate the heart disease (first noticed during lovemaking with the pregnant-to-be Nan) that will bring his death during a nation-wide tour to rally support—with wild success—for his causes, among them world peace and racial equality. Blinder is no towering lyricist, but he’s a spellbinding novel-writer whose timing, it must be said in this National Moment of Monica, is remarkable—as are his efforts to catch every bit of period speech and detail that happens by. An easy, pleasurable debut crying out movie, movie, movie.
Pub Date: Jan. 1, 1999
ISBN: 1-57962-017-5
Page Count: 216
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1998
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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