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GOLDEN BOY

MEMORIES OF A HONG KONG CHILDHOOD

Warm and vivid, bursting with life and energy, this is a valentine—but a clear-eyed one—to a particular place and time.

Marvelously appealing memoir charts an enchanted few years of boyhood in post-war Hong Kong.

Escaping from dreary old 1952 England on a boat bound for Hong Kong, Booth's mother whispered to him “Aren't we the lucky ones?” And they were—their next few years on the island would be marked by such color and life as they'd never seen back in Blighty. Happy chance that Martin's father, an Admiralty civil servant, had been posted there; happier chance that he had a job that kept him out of the house all day, sparing his vivacious, fun-loving wife and intrepid son of his gloomy presence. Booth shares vivid scenes from 50 years ago, of a Hong Kong still slightly sleepy after the war, a place where a boy could wander the teeming streets unaccompanied for countless hours, and run across a cobra or a porcupine in the more rural pockets. Young Martin threw himself into the local culture, going fearlessly as far as his legs would take him—to local markets, mountainsides and even the lawless quarter run by the local mafia, where Booth was taken under the wing of a young thug who revealed their opium dens, brothels and secret meeting rooms, and then made clear what would happen to the boy if he ever told of what he'd seen. Through conversation and friendship with other friendly locals, young Booth also learns about the war, the conflict between the Japanese and the Chinese, the tactics of the communists and the fate of the hustling refugees who filled the Hong Kong streets. The author also learns what kind of a man his father is (not a very nice one), and what a woman of quality his mother is, exploring their relationship from the eyes of the child he was, interpreting it with the knowledge he has now.

Warm and vivid, bursting with life and energy, this is a valentine—but a clear-eyed one—to a particular place and time.

Pub Date: Dec. 1, 2005

ISBN: 0-312-34817-7

Page Count: 352

Publisher: Dunne/St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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