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MASTER OF THE GAME

STEVE ROSS AND THE CREATION OF TIME WARNER

This much ballyhooed book starts out slowly and seems derivative. Much of the information throughout the text is derived from the newspaper and magazine reportage of other journalists; and another author, Richard M. Clurman, beat Bruck to quite a bit of the drama two years ago in To the End of Time (1992). But despite these obstacles, Bruck manages to compose an interesting book, even though her subject is inherently less interesting than Michael Milken, the key player in Bruck's previous book, The Predator's Ball (1988). Milken was involved in high- stakes criminal conduct; Ross (who by the book's publication will have been dead nearly a year and a half) was pretty much just one more in a long line of greedy, unintrospective tycoons. He was a born dealmaker, a one-time traveling salesman who parlayed his in- laws' lucrative funeral-home business into a diversified company, which he took public in 1962. In 1969, Ross made a surprise bid for Warner-Seven Arts and found himself hobnobbing with the likes of Frank Sinatra. Two decades later, in 1990, Ross helped engineer the megadeal of his life—the merger of Warner with Time Inc. to create the largest communications/entertainment company in the world. Bruck's quotation from opera star Beverly Sills, who spoke at Ross's funeral, sums up the life neatly: ``He was like an opera singer. He was larger than life; he knew how to make grand entrances; he knew he didn't have to yell at the top of his lungs to keep an audience's attention; he was always on a diet; and he knew how to share curtain calls.'' In an age of biographers acting as pathographers, Bruck is refreshingly generous in spirit. The book is not a valentine, but Bruck explains Ross's good qualities as well as his bad. By retaining her mental balance about her subject, Bruck allows the reader to enjoy mental balance as well.

Pub Date: April 11, 1994

ISBN: 0-671-72574-2

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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