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SPEER

HITLER'S ARCHITECT

Kitchen ably portrays a hollow, cold, bourgeois man totally lacking in morals or scruples—exactly the type that made...

Kitchen (Emeritus, History/Simon Fraser Univ.; The Third Reich: Charisma and Community, 2014, etc.) sets the record straight on Albert Speer’s assertions of ignorance of the Final Solution and claims to being the “good Nazi.”

Speer came to the attention of Hitler in his capacity as an architect. If Hitler ever had any friends, Speer would have been his closest. At the end of this impressively researched book, the author hints at perhaps a closer relationship than friendship, not supported by fact but a good explanation for Speer’s ability to manipulate Hitler. Speer gained power in the Nazi machine by dealing directly with Hitler, bypassing the usual procedures. His peevish whining invariably accomplished his goal, and since Hitler believed his skewed and doctored statistics, he quickly climbed to the top. As minister of armaments, he did increase output, but his base line was a period when Germany thought the war would be short and production had been cut. Colleagues in the Nazi hierarchy detested his self-determination policy and profitable arrangement with industry. The biggest question about Speer has been his knowledge of the use of concentration camp inmates in industry and wartime production. Kitchen shows incontrovertibly that Speer not only knew of the practice, but was the greatest user of prisoners, many of whom were worked to death. Occasionally, the book gets bogged down in statistics and details of production, both real and invented, and the coverage of Speer’s trial is tedious. After his 20-year prison term, Speer completely rebuilt his image, carefully subverting the damning wartime chronicle kept by his longtime friend. As at Nuremburg, he admitted overall responsibility, but Kitchen puts it perfectly: “his guilt—like a figure in a Greek tragedy—was guiltless.”

Kitchen ably portrays a hollow, cold, bourgeois man totally lacking in morals or scruples—exactly the type that made National Socialism possible and could do so again.

Pub Date: Nov. 24, 2015

ISBN: 978-0-300-19044-1

Page Count: 440

Publisher: Yale Univ.

Review Posted Online: Sept. 2, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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