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THE CAVES OF PÉRIGORD

Name: THE CAVES OF PÉRIGORD
Author: Martin Walker
ISBN: 0-7432-2284-9

by Martin Walker ‧ RELEASE DATE: March 12, 2002

The cave art is great, the rest less gripping.

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A fourth novel from journalist and CNN commentator Walker (The President We Deserve: Bill Clinton, His Rise, Falls and Comebacks, 1996, etc.).

Art historian Lydia Dean, 30, works for a London auction house and is offered by Major Manners, a divorced British officer, a large flat chunk of clay with a marvelously well-painted bull on it, which his father brought from France after WWII. She dates it at 15,000 b.c., obviously from a prehistoric somewhere like Lascaux. The scaled-down bull on this painting, however, is ten or twenty times smaller than a bull in any known cave painting, the smallness and excellence of the image pointing to an advance in that art. Lydia explains to Major Manners that his late father’s rock is of such high historic interest that no auction house would touch it, since it has no provenance and quite possibly will cause an international scandal should France demand it back. And then the rock is burgled from the auction house. Time leaps backward 17,000 years, and we’re with cave folk in the Vézère Valley, where the apprentice young cave painter Deer (he’s great at swimming deer) has fallen for young Little Moon, herself secretly a gifted painter. But Keeper of the Bulls, the top cave painter, wants Little Moon for himself. Then we leap to 1943 and Major Manners’s father, Captain Jack Manners, of the Special Operations Executive, landing in France to help the Resistance, which is disastrously split into political factions that foresee their own postwar battles. Even so, Jack must help blow up bridges and attract Nazi focus away from the forthcoming D-day invasion. Eventually, he stores his large stock of armaments in a cave accidentally reopened by a German mortar shell. Meanwhile, Deer and Little Moon run off and find their own white chalk cave where—freeing art from the shackles of religion—they explore new dimensions in rendering and portraiture.

The cave art is great, the rest less gripping.

Pub Date: March 12, 2002

ISBN: 0-7432-2284-9

Page Count: 496

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2002

Categories:

HISTORICAL FICTION | GENERAL FICTION

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AN ENEMY IN THE VILLAGE
by Martin Walker

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A GRAVE IN THE WOODS
by Martin Walker

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THE COLDEST CASE
by Martin Walker

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THE NIGHTINGALE

by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015

Still, a respectful and absorbing page-turner.

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Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Categories:

HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

- BOOK TO SCREEN
Film Productions Halted Due to Coronavirus Worry

- SEEN & HEARD
‘The Nightingale’ Is Reese’s Book Club Pick

- BOOK TO SCREEN
Adaptation of ‘The Nightingale’ Coming in 2027

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.