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THE CAVES OF PÉRIGORD

The cave art is great, the rest less gripping.

A fourth novel from journalist and CNN commentator Walker (The President We Deserve: Bill Clinton, His Rise, Falls and Comebacks, 1996, etc.).

Art historian Lydia Dean, 30, works for a London auction house and is offered by Major Manners, a divorced British officer, a large flat chunk of clay with a marvelously well-painted bull on it, which his father brought from France after WWII. She dates it at 15,000 b.c., obviously from a prehistoric somewhere like Lascaux. The scaled-down bull on this painting, however, is ten or twenty times smaller than a bull in any known cave painting, the smallness and excellence of the image pointing to an advance in that art. Lydia explains to Major Manners that his late father’s rock is of such high historic interest that no auction house would touch it, since it has no provenance and quite possibly will cause an international scandal should France demand it back. And then the rock is burgled from the auction house. Time leaps backward 17,000 years, and we’re with cave folk in the Vézère Valley, where the apprentice young cave painter Deer (he’s great at swimming deer) has fallen for young Little Moon, herself secretly a gifted painter. But Keeper of the Bulls, the top cave painter, wants Little Moon for himself. Then we leap to 1943 and Major Manners’s father, Captain Jack Manners, of the Special Operations Executive, landing in France to help the Resistance, which is disastrously split into political factions that foresee their own postwar battles. Even so, Jack must help blow up bridges and attract Nazi focus away from the forthcoming D-day invasion. Eventually, he stores his large stock of armaments in a cave accidentally reopened by a German mortar shell. Meanwhile, Deer and Little Moon run off and find their own white chalk cave where—freeing art from the shackles of religion—they explore new dimensions in rendering and portraiture.

The cave art is great, the rest less gripping.

Pub Date: March 12, 2002

ISBN: 0-7432-2284-9

Page Count: 496

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2002

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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