by Marty Neumeier ‧ RELEASE DATE: N/A
A thoroughly enjoyable blend of history and drama.
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A scientist and an art historian discover a document of great significance to art history and scheme to steal it to ensure it becomes public in Neumeier’s novel.
Mr. Dickson, a wealthy businessman, hires two experts—Artie, a retired art historian, and Scarlett, a young biophysicist—to authenticate a cache of art pieces found in an old townhouse in Northern Italy. They excitedly discover a painting which seems to date to the early 16th century and to be the only extant portrait of Leonardo da Vinci, an astonishing find. Additionally, the two unearth a manuscript likely written by Francesco de Melzi—the last known pupil of da Vinci, and the painter of his portrait—that provides extraordinary insights into one of the world’s greatest artists. The memoir also recounts a gruesome murder committed at the famous Aldine Press, just in advance of da Vinci’s plans to have some of his notebooks published there, and da Vinci’s brilliant attempt to solve it. (In this engrossing novel, da Vinci emerges as a “super-sleuth,” among other things, a man blessed with the “skill to untangle the most diabolical of mysteries.”) Artie and Scarlett—these are not their real names—decide that such a rare and precious trove of art history can’t be left in the hands of “just another rich guy with a collection erection” who will almost certainly lock it in some inaccessible dungeon for his private delectation. Artie and Scarlett change their names, don disguises, and contact Peter Chenoweth of Harker Publishing in the hope the book will enter the public domain. However, Mr. Dickson learns of their gambit and threatens Harker with legal action…and he might be capable of much worse.
The research process necessary to compose this marvelously erudite novel must have been daunting—the narrative is as stunningly meticulous as it is expansively wide, and the novel is worth reading just for the scholarship and the gripping depiction of da Vinci. This is much more, though, than an academic exercise in art history. Neumeier has created a genuinely captivating story, a drama that is utterly mesmerizing and thrums with suspense. The characters are vividly realized, brimming with virtues, talents, and flaws—Scarlett has a “a burning desire for justice,” but is also difficult, caustic, and agonizingly arrogant. She can be terribly close-minded and dogmatic, but she is also profoundly sensitive to the clarion call of beauty. “I’m a scientist with a degree in physics and a master’s in biophysics. Suffice it to say, I have zero patience for self-delusion or magical thinking. I don’t believe in all that afterlife stuff. But I do hope, as Leonardo did, that I can weave a cocoon of great beauty and usefulness before disappearing into the infinite sky on painted wings.” It is a testament to the author’s originality that this is a very difficult novel to neatly categorize—it is a murder mystery, a crime drama, a tutorial in art history, and more. Readers with an interest in art, and likely those without but who are open to art’s charms, will find this novel to be delightfully beguiling.
A thoroughly enjoyable blend of history and drama.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: March 21, 2025
Review Program: Kirkus Indie
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Dan Brown ‧ RELEASE DATE: Sept. 9, 2025
A standout in the series.
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New York Times Bestseller
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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