Another page-turner featuring a twisty plot, a strong female lead, and some helpful painting tips for aspiring artists.

DEATH AT CROOKED CREEK

From the Jessie O'Bourne Art Mystery series , Vol. 2

Artist and author Cherry (Death on Canvas, 2016) returns with a unique mix of murder, art, and a hefty supply of suspects in this second Jessie O’Bourne mystery.

Dead bodies seem to turn up whenever Jessie returns to Montana. She and her enormous, charmingly privileged cat Jack (aka “Butter Tub”) have been spending a lot of time on the road, attending art showings and gallery meet-and-greets. She was looking forward to some downtime when a friend asked her to fill in as a guest artist at the annual art expo in Crooked Creek, Montana, where locals have been gossiping about a number of strange deaths. They started six months ago, when teenage Adele Nielson was mysteriously shot and killed while driving her father’s tractor on their farm. But Jessie doesn’t know about any of this as she organizes her display and sets up materials for her oil painting classes. The morning after her arrival, though, someone leaves small toy tractors outside her hotel room door. Then she discovers a dead body stuffed into a storage compartment of the Hawk, her trusty motor home. As a result, Jessie is once again pulled into a dangerous murder investigation, and the local sheriff considers her a suspect. Cherry packs her novel with so many characters that readers may find it difficult to keep them all straight in the beginning. More than a handful are hiding one secret or another, which provides the tale with a plethora of red herrings. Although the mystery itself is engaging, much of the fun comes from Cherry’s detailed portraits of the eclectic, quirky creative types that inhabit the art world. For instance, the author shows how Jessie sees everything as a painting in progress: “Glen’s [bald] head became a tiny, empty, round canvas. In her mind, she painted a small robin’s nest on that bare space, the wiry hairs surrounding the spot becoming woven twigs encircling three blue eggs.”

Another page-turner featuring a twisty plot, a strong female lead, and some helpful painting tips for aspiring artists.

Pub Date: Aug. 3, 2018

ISBN: 978-1-72459-299-6

Page Count: 368

Publisher: CreateSpace

Review Posted Online: Oct. 19, 2018

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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