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GIRLS OF TENDER AGE

A MEMOIR

The childhood memories are great fun; the crime reporting workmanlike; the portrait of the adult relationships touching.

Smith (Love Her Madly, 2002, etc.) intertwines delightful stories from childhood with a grim chronicle of a sexual predator whose murder of the author’s grade-school classmate has haunted her for decades.

By alternating chapters on the pedophile stalker’s sorry life with chapters on her youthful past, Smith creates almost unbearable tension as she makes the reader wait for the two stories’ lines to intersect. Her vivid account of growing up in a working-class Italian Catholic neighborhood in Hartford, Conn., is filled with memorable characters: besides a raft of close relatives, there’s her indifferent mother, perpetually “on the verge of a nervous breakdown,” her hardworking, distracted father and her autistic older brother, who chews on his arm if he hears noise, cannot bear the color red or the word “Thursday” and is fixated on World War II—he advises the White House via his Campbell’s soup-can phone. As the normal kid sister, Smith is largely overlooked, gulping swigs of Hershey syrup for her breakfast before dashing off to school. In fifth grade, everything changes when Bob Malm abducts and strangles 11-year-old Irene a few blocks from Smith’s house. Adults try to protect the children through silence, telling them nothing, keeping newspapers from them and forbidding them to discuss Irene. Smith says her memories of the next two-and-a-half years are blank. Years later, when she is an established writer, she includes Irene’s story in an essay for a Hartford literary journal that triggers a call from Irene’s brother and launches her on a quest to, as she puts it, “build a memorial to Irene.” From newspapers and court records, which she quotes extensively, she garners details of Malm’s life, of his trial and appeal and even his execution, an electrocution that went awry. The reader may not know Irene better, but Smith, who gives only glimpses of her own life after fifth grade, illuminates Malm.

The childhood memories are great fun; the crime reporting workmanlike; the portrait of the adult relationships touching.

Pub Date: Jan. 11, 2006

ISBN: 0-7432-7977-8

Page Count: 288

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2005

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UNTAMED

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A TALE OF LOVE AND DARKNESS

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.

“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

Pub Date: Nov. 15, 2004

ISBN: 0-15-100878-7

Page Count: 544

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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