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BASTARDS

A MEMOIR

A poignant memoir that thoughtfully examines a set of difficult and unique family relationships.

A young woman’s account of how a dysfunctional family situation caused her to become separated from her six siblings but how all seven still managed to reconnect.

New Jersey native King was the second-oldest child of working-class parents “whose passions burned like an incinerator and swung wildly from love to hate and back again.” By the time her fourth sibling was born, her father began actively disappearing. Strapped for cash, the author’s mother put her third child, Becky Jo, in the care of her parents in Oklahoma. From that moment on, life in the King household followed a predictable pattern: the father would return temporarily, then leave his wife pregnant with another child who would get adopted as soon as it was born. When King’s parents finally divorced, they decided to send both King and her elder brother to join Becky Jo in Oklahoma. A Yankee girl in a place where it seemed the natives thought “the Civil War [was] still going on,” King gradually—though uneasily—settled into the life thrust upon her. She eventually accepted a name change and became the family golden child. Yet she never forgot the brother whom her grandfather, in a fit of rage, sent back to New Jersey for misbehavior, nor could she forget about the siblings she had never met. King returned to New York for college, preparing for the day she would meet the siblings she knew would come looking for her. She desired to be “a person worth finding, worth keeping.” As King made peace with her parents, each of the children, all girls, who had been adopted found her. Working together, the author and her siblings then began the difficult task of reclaiming the familial ties that had been denied them. King not only explores the impact of disrupted relationships; she also eloquently probes the meaning of both love and human connectedness.

A poignant memoir that thoughtfully examines a set of difficult and unique family relationships.

Pub Date: June 22, 2015

ISBN: 978-0-393-08861-8

Page Count: 256

Publisher: Norton

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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