Romance with a side of poignant family dynamics and a large, intriguing cast.
A second-chance romance inaugurates a new Regency series about a family torn apart by lies and healed by love.
Devlin Ware, Viscount Mountford, is the favored heir of a beloved aristocratic family. At his family's annual ball, he has just been granted the love of Gwyneth Rhys, the neighbor he has longed for all his life, and is preparing to approach her father for her hand when he discovers his father in a compromising position with a woman who must be his mistress. In indignation, Devlin tells his father to send the woman away, loud enough for many of their guests to hear—a performance that gets him banished from Ravenswood Hall, his idyllic home. The first part of the novel shows a perfect world that collapses, a bit implausibly, into heartbreak and separation; the second charts the exile’s return from active duty in the Napoleonic wars after his father's death and the unexpected way Gwyneth reknits their bond while Devlin learns that righteous morality, duty, love, and forgiveness need not be mutually exclusive. Some readers may view the primary romance as being consigned to a subplot while a lot of space is spent on a meticulous word-picture of the family seat and portraits of the many secondary characters who will take the lead in later books. But readers who appreciate Balogh’s skill at linking her characters’ inner lives, surroundings, and social ties will find many pleasures here. Themes from previous series reappear: Those who rooted for the head of the Bedwyn family will see echoes in the older Devlin’s frostiness, with the added bonus of the character’s point of view; fans of the Survivors’ Club series may sympathize with his experiences in the army; readers who liked the Huxtable family’s resilience in the aftermath of its patriarch’s bigamy will enjoy this twist on a similar problem; and those who remember the author’s Welsh romances will welcome Gwyneth and her family for returning us to Balogh’s roots. There is one off note: In an apparent bid to criticize fat-phobia, one character’s body is repeatedly mentioned in fat-phobic terms.
Romance with a side of poignant family dynamics and a large, intriguing cast.Pub Date: July 12, 2022
ISBN: 978-0-593-43812-1
Page Count: 368
Publisher: Berkley
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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