Graceful and mature. A solidly satisfying, immersive read.
Neighboring families in a New York commuter suburb are entwined, root and branch, through work, their children, and a tragedy of profound consequence.
Displaying impressive reach in this third—and possibly breakout—novel, Keane (Fever, 2013, etc.) delivers an epic of domestic emotional turmoil. Its twin families are united initially through the careers of Francis Gleeson and Brian Stanhope, who meet as unmarried rookies in the New York City police academy. Later, now with partners, they move into adjacent homes in the safe-seeming small town of Gillam, where Francis’ wife, Lena, gives birth to three daughters, Sara, Natalie, and Kate. Brian’s wife, Anne, whose temperament is increasingly mercurial, loses her first child but then has a boy, Peter. Friendship between Peter and Kate is cemented from the outset, and as teenagers, the couple’s affections intensify. But on the night Peter tells Kate he thinks they will marry one day, Anne’s mental disturbance and violence reach a climax, one that inflicts terrible, indelible damage and drives Peter and Kate apart. Narrated from multiple perspectives, in compassionate but cool tones, Keane’s story embraces family lives in all their muted, ordinary, yet seismic shades. The Gleesons offer solidity and an assumption that marriage will endure, no matter the tests. The Stanhopes, however, are seamed with inherited fault lines, and Peter will not emerge unscathed from his upbringing. Keane offers empathy and the long view, across a larger spectrum of issues than is at first apparent, pursuing her story for decades while adhering to Anne’s observation "that the beginning of one’s life mattered the most, that life was top-heavy that way." Tender and patient, the novel avoids excessive sweetness while planting itself deep in the soil of commitment and attachment.
Graceful and mature. A solidly satisfying, immersive read.Pub Date: June 4, 2019
ISBN: 978-1-9821-0698-0
Page Count: 400
Publisher: Scribner
Review Posted Online: Feb. 27, 2019
Kirkus Reviews Issue: March 15, 2019
You will never forget Shuggie Bain. Scene by scene, this book is a masterpiece.
Alcoholism brutally controls the destiny of a beautiful woman and her children in working-class Scotland.
The way Irvine Welsh’s Trainspottingcarved a permanent place in our heads and hearts for the junkies of late-1980s Edinburgh, the language, imagery, and story of fashion designer Stuart’s debut novel apotheosizes the life of the Bain family of Glasgow. Stunning, raven-haired Agnes Bain is often compared to Elizabeth Taylor. When we meet her in 1981, she’s living with her parents and three “weans” in a crowded high-rise flat in a down-and-out neighborhood called Sighthill. Her second husband, Hugh "Shug" Bain, father of her youngest, Shuggie, is a handsome taxi driver with a philandering problem that is racing alongside Agnes’ drinking problem to destroy their never-very-solid union. In indelible, patiently crafted vignettes covering the next 11 years of their lives, we watch what happens to Shuggie and his family. Stuart evokes the experience of each character with unbelievable compassion—Agnes; her mother, Lizzie; Shug; their daughter, Catherine, who flees the country the moment she can; artistically gifted older son Leek; and the baby of the family, Shuggie, bullied and outcast from toddlerhood for his effeminate walk and manner. Shuggie’s adoration of his mother is the light of his life, his compass, his faith, embodied in his ability to forgive her every time she resurrects herself from a binge: “She was no use at maths homework, and some days you could starve rather than get a hot meal from her, but Shuggie looked at her now and understood this was where she excelled. Everyday with the make-up on and her hair done, she climbed out of her grave and held her head high. When she had disgraced herself with drink, she got up the next day, put on her best coat, and faced the world. When her belly was empty and her weans were hungry, she did her hair and let the world think otherwise.” How can love be so powerful and so helpless at the same time? Readers may get through the whole novel without breaking down—then read the first sentence of the acknowledgements and lose it. The emotional truth embodied here will crack you open.
You will never forget Shuggie Bain. Scene by scene, this book is a masterpiece.Pub Date: Feb. 11, 2020
ISBN: 978-0-8021-4804-9
Page Count: 416
Publisher: Grove
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
While the love triangle is interesting, perhaps most compelling is the story of one woman's single-minded pursuit of her...
Love and ambition clash in a novel depicting China's turbulent 1980s.
Jin's debut is at heart a mystery, as a young Chinese American woman returns to China to try to understand her recently deceased mother's decisions and to find her biological father. Liya grew up with a single mother, the brilliant but troubled physicist Su Lan, who refused to talk about Liya's missing father. Mother and daughter grew increasingly estranged as Su Lan obsessed over her theoretical research. Complicating Liya's search for truth is the fact she was born in Beijing on June 4, 1989, the very night of the government crackdown on the protesters at Tiananmen Square. Su Lan changed Liya's birth year on her papers to obscure this fact in America. The reader is meant to wonder if Liya's father perhaps died during the crackdown. However, this is not a novel about the idealism of the student reform movement or even the decisions behind the government's use of lethal force. Instead Jin focuses on the personalities of three students: the young Su Lan as well as Zhang Bo and Li Yongzong, two of her high school classmates who were rivals for her affection. The novel shifts point of view and jumps back and forth in time, obscuring vital pieces of information from the reader in order to prolong the mystery. Not all the plot contrivances make sense, but Su Lan is a fascinating character of a type rarely seen in fiction, an ambitious woman whose intellect and drive allow her to envision changing the very nature of time. The title refers to the thoughts of a nurse, musing about the similarities that she sees between the Tiananmen student demonstrators and the Red Guards of the Cultural Revolution: "A hunger for revolution, any Great Revolution, whatever it stands for, so long as where you stand is behind its angry fist. Little gods, she thinks."
While the love triangle is interesting, perhaps most compelling is the story of one woman's single-minded pursuit of her ambition.Pub Date: Jan. 14, 2020
ISBN: 978-0-06-293595-3
Page Count: 288
Publisher: Custom House/Morrow
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
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