While the love triangle is interesting, perhaps most compelling is the story of one woman's single-minded pursuit of her...

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LITTLE GODS

Love and ambition clash in a novel depicting China's turbulent 1980s.

Jin's debut is at heart a mystery, as a young Chinese American woman returns to China to try to understand her recently deceased mother's decisions and to find her biological father. Liya grew up with a single mother, the brilliant but troubled physicist Su Lan, who refused to talk about Liya's missing father. Mother and daughter grew increasingly estranged as Su Lan obsessed over her theoretical research. Complicating Liya's search for truth is the fact she was born in Beijing on June 4, 1989, the very night of the government crackdown on the protesters at Tiananmen Square. Su Lan changed Liya's birth year on her papers to obscure this fact in America. The reader is meant to wonder if Liya's father perhaps died during the crackdown. However, this is not a novel about the idealism of the student reform movement or even the decisions behind the government's use of lethal force. Instead Jin focuses on the personalities of three students: the young Su Lan as well as Zhang Bo and Li Yongzong, two of her high school classmates who were rivals for her affection. The novel shifts point of view and jumps back and forth in time, obscuring vital pieces of information from the reader in order to prolong the mystery. Not all the plot contrivances make sense, but Su Lan is a fascinating character of a type rarely seen in fiction, an ambitious woman whose intellect and drive allow her to envision changing the very nature of time. The title refers to the thoughts of a nurse, musing about the similarities that she sees between the Tiananmen student demonstrators and the Red Guards of the Cultural Revolution: "A hunger for revolution, any Great Revolution, whatever it stands for, so long as where you stand is behind its angry fist. Little gods, she thinks."

While the love triangle is interesting, perhaps most compelling is the story of one woman's single-minded pursuit of her ambition.

Pub Date: Jan. 14, 2020

ISBN: 978-0-06-293595-3

Page Count: 288

Publisher: Custom House/Morrow

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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