by Mary Cantwell ‧ RELEASE DATE: June 1, 1992
From New York Times editorial-board member and veteran columnist Cantwell, a memoir of growing up during the 1930's and 40's in the town of Bristol, New Hampshire. ``I have come down with the Bristol Complaint,'' Cantwell announces early in the book: ``People who have the Bristol Complaint can never leave town. The elm trees snag them. So does the harbor and the wild roses and the history.'' Cantwell does, of course, manage to leave town, but the town remains inside her, and, here, she brings it to her readers all the way back from its history of colonial immigrants and traders, of General LaFayette (who once camped there, but left when winter set in) and of ``Philip, King of the Wampanoags'' (the bones of whose people lie under the ground)—and on through the lives of her beloved grandparents, known as Ganny and Gampy (she still believes Gampy was once a bootlegger); of her own parents, Leo Cantwell and Mary Lonergan; and thus to the birth and growing up of Mary Lee Cantwell and her younger sister, Diana. Seldom have a town and its memoirist been more perfectly blended than they are here (``It was as if Bristol were a book I couldn't put down,'' says the author), and in her subtle and delicately told tales of being a young child, of getting polio, of remembering WW II, of learning the stark cruelties of social class, of struggling into adolescence, of finally graduating from high school and getting ready to leave home—in all of these, Cantwell embraces sentiment without ever becoming sentimental, and makes her words fall into place with a quiet perfection. ``If I don't get out of Bristol it will always be three o'clock in the afternoon,'' she says; and yet, even so, amid much, much more, she remembers for us a long-ago afternoon with her high-school girlfriends when ``we walked through air that was as silver as the bay.'' Evocative, lovely, deeply felt, and mature personal writing about a past that's gone.
Pub Date: June 1, 1992
ISBN: 0-394-57502-4
Page Count: 192
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1992
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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