Pass on this one even if you like the shore.
Lucy Kincaid, a Nashville bar manager who wanted to go to art school, brings her mother’s ashes and German shepherd, Dolly Parton, to a town on the Virginia shore she’d never heard of until recently.
Just before Beth died of brain cancer, she told Lucy she had just inherited "some property" in Virginia, which would now be Lucy's. Lucy didn't know her mother had ever been to Virginia and wonders what the secrecy is about. The property turns out to be Winter Cottage, a mansion on hundreds of acres. Taylor (The View from Prince Street, 2016, etc.) takes more than 350 pages to tell readers what they can see coming in the first 30. Lucy meets Hank Garrison, a lawyer who's handling the inheritance and who, coincidentally, will inherit Winter Cottage himself if she chooses not to move in. Within a very short time, Lucy comes to decisions about the house; Hank; a 12-year-old named Natasha who needs a stable home; and her previously unknown father. There are inconsistencies beyond the way Lucy settles in so quickly after Taylor portrays her as too “restless” to stick around. For example, Lucy explores the attic and notes a trunk she can’t open without a key. Dozens of pages later she's back in the attic, where she and Natasha open the trunk just by pressing a button on the lock. Lucy and Natasha also watch videos Beth made of interviews with Winter Cottage’s last matriarch, Catherine Hedrick Buchanan, the woman who left Beth the house. Multiple storylines from past and present are rushed or never quite conclude, such as the identity of human bones found near Winter Cottage and the events that have driven Hank to want to “put everything on the line to bring this town back.” Lines such as “She finished up her eggs and dumped what remained of the veggies in the trash before washing the plate and setting it in the drying rack” are unnecessary to the story. Rather than allowing the action in a scene to illuminate characters' feelings, Taylor tells readers how to view her characters’ emotions, such as “Vulnerability and sadness drained the energy from Natasha.”
Pass on this one even if you like the shore.Pub Date: Sept. 25, 2018
ISBN: 978-1-5039-0388-3
Page Count: 371
Publisher: Montlake Romance
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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