A moving and bittersweet memoir of a woman’s love affair with a unique profession.
An intimate account of what it means to be a female wildland firefighter.
Essayist and novelist Emerick (The Geography of Water, 2015) dissects the passion that kept her on the fire line for more than 20 years. Just out of college in the mid-1980s, she traveled to Olympic National Park for a summer job. Insecure but seeking to break out of her shell, she accepted an assignment on the fire line during an especially nasty fire season. Though not convinced firefighting was the right path, Emerick imagined the new self that would result from the excitement and stress of the job: “The person I imagined I would become by fighting fire was someone better: tan, long-braided, self-sufficient, strong.” The author’s choice led to two decades of fighting fires in multiple states, all the while absorbing the incredible sights, smells, and sounds of fire. Emerick vividly recounts the extremely taxing physical requirements, the deadly conditions firefighters consistently endure, and the ever present lure of adventure and camaraderie each fire provides. The author explores the implications of working in a male-dominated field and how that environment has improved during her tenure. She also shares her knowledge of different species of trees and how each burns as well as the tools and equipment needed to fight fires. Crisscrossing the country with the seasons, the author fought fires in the Western U.S during the summer and worked winters in the Florida swamps. Emerick is candid about her work’s toll on unfulfilled romances and a broken marriage. After years as a firefighter, Emerick questions the environmental policy of snuffing out all fires and “whether all this firefighting was really good for the forest, if it might not better just to let it burn.”
A moving and bittersweet memoir of a woman’s love affair with a unique profession.Pub Date: Sept. 5, 2017
ISBN: 978-1-62872-843-9
Page Count: 256
Publisher: Arcade
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
A memoir of sorts that blurs the boundary between the personal and the universal.
An American poet of Japanese descent illuminates the tensions that exploded with World War II and the aftershocks within his family.
By the time Shimoda (The Desert, 2018, etc.) came to know his grandfather, the latter was suffering from Alzheimer’s, and thus it was only after his death that the author began to untangle the narrative of his life as a citizen of one country living in another. The resonance of the story that he pieces together, through pilgrimages back to Japan and across the United States, extends well beyond a single family or ethnicity to the soul of his own native country, where “white settlers were the original aliens. They sought to diffuse their alienation, by claiming the land and controlling the movement and rights of the people for whom the land was not alien, but ancestral.” Shimoda’s grandfather was conceived in Honolulu and born in Japan, and he crossed the ocean to Seattle as a 9-year-old boy, without the rest of his family. World War II turned him into an “enemy alien,” though, as the author writes, “he was not born an enemy alien. He was made into an enemy alien. The first (alien) phase was immigration. The third (enemy) phase was the attack on Pearl Harbor. The second phase was the transition. Which was, for a Japanese man, ineligible for citizenship, compulsory.” He was a trained photographer, and by all evidence, a very good and sensitive one, but the main offense on which he was initially incarcerated was possessing a camera. Shimoda wades through memories and dreams; lives and graves that have no names documented; unspeakable horrors committed by the country where his grandfather lived on the people of his native country; and the attempts to memorialize what is too graphically terrible to remember. By the end, writes the author, “I was just learning how to see.”
A memoir of sorts that blurs the boundary between the personal and the universal.Pub Date: Sept. 15, 2019
ISBN: 978-0-87286-790-1
Page Count: 186
Publisher: City Lights
Review Posted Online: June 10, 2019
Kirkus Reviews Issue: July 1, 2019
Finely honed biographical intuition and a novelist’s sensibility make for a stylish, engrossing narrative.
A fresh, urbane history of the dramatic and melodramatic belle epoque.
When Barnes (The Only Story, 2018, etc.), winner of the Man Booker Prize and many other literary awards, first saw John Singer Sargent’s striking portrait of Dr. Samuel Pozzi—handsome, “virile, yet slender,” dressed in a sumptuous scarlet coat—he was intrigued by a figure he had not yet encountered in his readings about 19th-century France. The wall label revealed that Pozzi was a gynecologist; a magazine article called him “not only the father of French gynecology, but also a confirmed sex addict who routinely attempted to seduce his female patients.” The paradox of healer and exploiter posed an alluring mystery that Barnes was eager to investigate. Pozzi, he discovered, succeeded in his amorous affairs as much as in his acclaimed career. “I have never met a man as seductive as Pozzi,” the arrogant Count Robert de Montesquiou recalled; Pozzi was a “man of rare good sense and rare good taste,” “filled with knowledge and purpose” as well as “grace and charm.” The author’s portrait, as admiring as Sargent’s, depicts a “hospitable, generous” man, “rich by marriage, clubbable, inquisitive, cultured and well travelled,” and brilliant. The cosmopolitan Pozzi, his supercilious friend Montesquiou, and “gentle, whimsical” Edmond de Polignac are central characters in Barnes’ irreverent, gossipy, sparkling history of the belle epoque, “a time of vast wealth for the wealthy, of social power for the aristocracy, of uncontrolled and intricate snobbery, of headlong colonial ambition, of artistic patronage, and of duels whose scale of violence often reflected personal irascibility more than offended honor.” Dueling, writes the author, “was not just the highest form of sport, it also required the highest form of manliness.” Barnes peoples his history with a spirited cast of characters, including Sargent and Whistler, Oscar Wilde and Sarah Bernhardt (who adored Pozzi), Henry James and Proust, Pozzi’s diarist daughter, Catherine, and unhappy wife, Therese, and scores more.
Finely honed biographical intuition and a novelist’s sensibility make for a stylish, engrossing narrative.Pub Date: Feb. 18, 2020
ISBN: 978-0-525-65877-1
Page Count: 288
Publisher: Knopf
Review Posted Online: Nov. 17, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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