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EVERY BREATH YOU TAKE

Readers who recognize early on that the most suspenseful question here is whether the heroine will regain her lost love will...

Laurie Moran, intrepid executive producer of the true-crime series Under Suspicion, agrees to reopen a cold case so recent that it’s hardly fair to call it cold.

In the three years since Virginia Wakeling celebrated a gala at the Metropolitan Museum of Art, where she served as a trustee and a generous donor, by taking a header off the museum’s roof, no one involved has changed their minds about who was responsible. Every single member of Ginny’s family is convinced she was murdered by Ivan Gray, a bodybuilder 20 years her junior who they’re convinced was less interested in her than in the fortune she inherited from her developer husband. Ivan has never stopped protesting his innocence, and now he’s convinced Under Suspicion host Ryan Nichols, whom he’s been training at the successful Manhattan gym into which Ginny pumped $500,000, to reopen a case NYPD Detective Johnny Hon is hardly ready to call closed. Much as she dislikes getting rushed into a story, especially by a host who’s clearly made up his own mind about Ivan’s innocence, Laurie (The Sleeping Beauty Killer, 2016, etc.) agrees that it’s a perfect story for Under Suspicion and promptly sets about harassing the family. At least that’s how Ginny’s children, Carter and Anna, who run the family business; Anna’s husband, commercial real estate lawyer Peter Browning; and Ginny’s nephew, long-marginalized Tom Wakeling, would describe it. Instead of a courtroom, Clark and Burke once more provide taping sessions during which Laurie, Ryan, and assistant producer Jerry Klein get to cross-examine the Wakelings in the hope that one of them will confess on camera (which doesn’t happen) or get angry enough to take a swing at Ryan (which does). But it’s hard for Laurie to put her heart into a case to which every party acts guilty, especially when that heart is still yearning for Ryan’s predecessor in the host’s seat, Alex Buckley, who was last spotted headed toward a federal judgeship.

Readers who recognize early on that the most suspenseful question here is whether the heroine will regain her lost love will know perfectly well whether this latest installment is for them.

Pub Date: Nov. 7, 2017

ISBN: 978-1-5011-7164-2

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Oct. 16, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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FLESH AND BLOOD

No wonder Scarpetta asks, “When did my workplace become such a soap opera?” Answer: at least 10 years ago.

Happy birthday, Dr. Kay Scarpetta. But no Florida vacation for you and your husband, FBI profiler Benton Wesley—not because President Barack Obama is visiting Cambridge, but because a deranged sniper has come to town.

Shortly after everyone’s favorite forensic pathologist (Dust, 2013, etc.) receives a sinister email from a correspondent dubbed Copperhead, she goes outside to find seven pennies—all polished, all turned heads-up, all dated 1981—on her garden wall. Clearly there’s trouble afoot, though she’s not sure what form it will take until five minutes later, when a call from her old friend and former employee Pete Marino, now a detective with the Cambridge Police, summons her to the scene of a shooting. Jamal Nari was a high school music teacher who became a minor celebrity when his name was mistakenly placed on a terrorist watch list; he claimed government persecution, and he ended up having a beer with the president. Now he’s in the news for quite a different reason. Bizarrely, the first tweets announcing his death seem to have preceded it by 45 minutes. And Leo Gantz, a student at Nari’s school, has confessed to his murder, even though he couldn’t possibly have done it. But these complications are only the prelude to a banquet of homicide past and present, as Scarpetta and Marino realize when they link Nari’s murder to a series of killings in New Jersey. For a while, the peripheral presence of the president makes you wonder if this will be the case that finally takes the primary focus off the investigator’s private life. But most of the characters are members of Scarpetta’s entourage, the main conflicts involve infighting among the regulars, and the killer turns out to be a familiar nemesis Scarpetta thought she’d left for dead several installments back. As if.

No wonder Scarpetta asks, “When did my workplace become such a soap opera?” Answer: at least 10 years ago.

Pub Date: Nov. 11, 2014

ISBN: 978-0-06-232534-1

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: July 22, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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BLUEBIRD, BLUEBIRD

From the Darren Mathews series , Vol. 1

Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for...

What appears at first to be a double hate crime in a tiny Texas town turns out to be much more complicated—and more painful—than it seems.

With a degree from Princeton and two years of law school under his belt, Darren Mathews could have easily taken his place among the elite of African-American attorneys. Instead, he followed his uncle’s lead to become a Texas Ranger. “What is it about that damn badge?” his estranged wife, Lisa, asks. “It was never intended for you.” Darren often wonders if she’s right but nonetheless finds his badge useful “for working homicides with a racial element—murders with a particularly ugly taint.” The East Texas town of Lark is small enough to drive through “in the time it [takes] to sneeze,” but it’s big enough to have had not one, but two such murders. One of the victims is a black lawyer from Chicago, the kind of crusader-advocate Darren could have been if he’d stayed on his original path; the other is a young white woman, a local resident. Both battered bodies were found in a nearby bayou. His job already jeopardized by his role in a race-related murder case in another part of the state, Darren eases his way into Lark, where even his presence is enough to raise hackles among both the town’s white and black residents; some of the latter, especially, seem reluctant and evasive in their conversations with him. Besides their mysterious resistance, Darren also has to deal with a hostile sheriff, the white supremacist husband of the dead woman, and the dead lawyer’s moody widow, who flies into town with her own worst suspicions as to what her husband was doing down there. All the easily available facts imply some sordid business that could cause the whole town to explode. But the deeper Darren digs into the case, encountering lives steeped in his home state’s musical and social history, the more he begins to distrust his professional—and personal—instincts.

Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for this deftly plotted whodunit whose writing pulses throughout with a raw, blues-inflected lyricism.

Pub Date: Sept. 12, 2017

ISBN: 978-0-316-36329-7

Page Count: 336

Publisher: Mulholland Books/Little, Brown

Review Posted Online: June 19, 2017

Kirkus Reviews Issue: July 1, 2017

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