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THE GREAT BIG BODY BOOK

From the Great Big Book series , Vol. 4

Cheerful and informative, this is a splendid introduction for humans of all shapes and sizes to share.

What is a body?

In the pattern of their earlier books about families and feelings, this experienced team turns its attention to human bodies. As might be expected, their lively survey is notable for its inclusivity. Spread by spread, they introduce their young audience to the bodies of babies, toddlers, teens, pregnant women, and the elderly; to body parts; to fitness, health, and injuries; to senses; to families; to growth, aging, and death; and to a vast range of possibilities. Under the heading “Boy or Girl?” they remind readers that while gender is the first thing people want to know about new babies, “not everyone fits neatly into a ‘boy’ or ‘girl’ box.” Over and over, both text and pictures demonstrate that bodies are both similar and different, that they develop at differing rates, and that they don’t all work in quite the same way. Asquith’s appealing cartoons fill the pages with diverse examples: vignettes of children and adults in an astonishing variety of perfectly believable shapes, sizes, skin tones, moods, clothing (yes, some headscarves), activities, and degrees of mobility. The armless child drawing with a pencil in her mouth is especially memorable. The thought balloons of a cat that wanders through the pages contrast the human and feline worlds.

Cheerful and informative, this is a splendid introduction for humans of all shapes and sizes to share. (Informational picture book. 3-7)

Pub Date: Nov. 1, 2016

ISBN: 978-1-84780-872-1

Page Count: 40

Publisher: Frances Lincoln

Review Posted Online: Aug. 29, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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CHICKA CHICKA TRICKA TREAT

From the Chicka Chicka Book series

A bit predictable but pleasantly illustrated.

Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.

Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”

A bit predictable but pleasantly illustrated. (Picture book. 3-7)

Pub Date: July 15, 2025

ISBN: 9781665954785

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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