A romance and a mystery told in tandem.
The story begins with a cryptic conversation between Arthur Cubeck, dying in the hospital, and a female visitor with whom he has long shared a guilty secret. He has contacted a young woman named Sophie with a request to come see him so he can tell her the secret the female visitor wishes him to keep. Clearly, his visitor wishes he would die before telling, and in fact, he does. Sophie, adopted as an infant by a woman who loved her and gave her a good life, is more concerned with mourning the death of her adoptive mother than in finding out about her birth mother. The invitation from Arthur to visit and find out about her origins is intriguing, but she is ambivalent, and when she finally makes up her mind to visit this stranger, she is too late. The trip is not wasted, however, as she finds herself attracted to the doctor who promises to look into whether Arthur left any written communication for her. He also returns her romantic interest. Arthur’s lawyer asks Sophie to attend the reading of the will, and the fact that Arthur leaves her some property, along with the explanation that he owes her much, causes her and his son to wonder if he was her father. This is a clue worth following. Another clue is the stranger found dead with photos of Sophie in his possession. Soon, the small town is abuzz with speculation about Sophie, and eventually, she discovers the trauma of her conception and the reason Arthur, not a perpetrator but a witness, felt so guilty.
The novel is similar in plot and structure to episodes of the television series Cold Case, whose fans will find its peregrinations most intriguing.Pub Date: March 26, 2013
ISBN: 978-0-06-208480-4
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 6, 2013
Kirkus Reviews Issue: Jan. 15, 2013
Categories: FAMILY LIFE & FRIENDSHIP
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BOOK REVIEW
BOOK REVIEW
Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.
Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.Pub Date: July 17, 2018
ISBN: 978-1-5011-7159-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 1, 2018
Kirkus Reviews Issue: May 15, 2018
Categories: FAMILY LIFE & FRIENDSHIP
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Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 6, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | FAMILY LIFE & FRIENDSHIP | SUSPENSE
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