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IT. GOES. SO. FAST.

THE YEAR OF NO DO-OVERS

An accomplished journalist’s middling memoir about balancing work and motherhood.

The longtime anchor of All Things Considered documents her attempts to be a more present parent during her son’s senior year of high school.

In Kelly’s nonfiction debut—she has written two novels—the author ranges widely, writing about the challenges of conducting a radio interview with hearing aids; being called by her son’s school while working in a combat zone in Iraq; and grief over the loss of her father to cancer. Throughout, Kelly reflects on the trade-offs she’s made as a working mother, all of which have sparked complex feelings in herself and others. In a particularly poignant chapter, she recounts how she ran into a professional colleague while staying home to care for her youngest son, a decision the family made because the author’s husband had a higher salary. While Kelly found this encounter with her sharply dressed and ambitious colleague humiliating, the woman later related that it made her think about all the time she was missing with her own children. This first encounter sets the tone of the text, which is filled with revelatory moments that clearly articulate the push and pull of aging and motherhood. However, at times, the author glosses over major events without offering adequate analysis or background. For example, she alludes to the breakup of her marriage but ends the chapter abruptly. While it is certainly up to the author to exclude parts of her personal life, readers may find it unsatisfying to encounter such a life-changing moment so briefly and superficially, especially in a book focused on family dynamics. After the early chapters, the book meanders, ricocheting from Kelly’s home life to her public dispute with Mike Pompeo and her work at NPR. Many of these sections are tenuously linked to the main narrative of her children and family, and the text features too many forced metaphors and insubstantial connections to parenting.

An accomplished journalist’s middling memoir about balancing work and motherhood.

Pub Date: April 11, 2023

ISBN: 9781250859853

Page Count: 240

Publisher: Henry Holt

Review Posted Online: Jan. 11, 2023

Kirkus Reviews Issue: Feb. 1, 2023

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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