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SHAKER BOY

A portrait of a 19th-century Shaker community, seen through the eyes of a growing boy who lives among them. When Caleb Whitcher is six, his widowed mother brings him to live among the Shakers. There he learns the Shaker ways of simplicity, hard work, and service to God. Caleb sees and hears angels, whose songs, complete with musical scores and words, are interspersed throughout the story. He comes to accept the Shaker ways and decides to spend his life among them. The illustrations are excellent and have a bold, naãve quality. The story, however, while filled with interesting factual detail about Shaker life, disappoints emotionally because Ray (Alvah and Arvilla, p. 1279, etc.) virtually ignores the fact that Caleb is abandoned by his mother in the first pages of the book. And by trying to encompass Caleb's whole lifetime—the story starts when he is six and continues until he is an old man—the book stretches its resonance too thin. Ultimately, the reader feels a void that even the admirable pictures and information can't fill. (Historical fiction/Picture book. 5-8)

Pub Date: Oct. 1, 1994

ISBN: 0-15-276921-8

Page Count: 48

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1994

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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