Out of the grove of academe (Vassar-'31) into the big world comes the group, with their unassailable self-assurance: they had gone to the very best college (well, Vassar was better than Smith or Wellesley); they had some ennobling notions about being enlightened and interested in higher things; and they had had a very liberal education although in one area it proves to be a little patchy (in spite of stealthy readings in Krafft Ebbing and what the doctors at Vassar had told them)....This is the book which has aroused considerable advance speculation and well it might; it has a tremendous reader recognition (for a few—mottled with indignation) and there cannot be much doubt that Mary McCarthy is an exceptional social satirist, with a jackdaw eye and an infallible ear. Through the seriatim sequence of events as one by one the girls go out to get a job, or a man, or keep him, the book not only achieves its continuity but its mobility of life through the '30's, social, political, professional and personal. From Kay's wedding in the church where her unreal will be held at the close of the book, this goes from one to the next—Dottie and her first experience, stripped to her string of pearls—the totem of good taste; Libby, who had done outstanding themes at Vassar, and now tries to make the literary scene in New York; Polly and her love for a young publisher who is married and in treatment and in conflict between "Fall River and Union Square"; Lakey who goes off to Europe—only on her return, is her sapphic streak apparent to the group who had known her so well in that intimate circle of eight who had lived in South Tower; etc., etc. Certainly here, more than in any of her other novels, there's the evidence that Mary McCarthy can not only impale but move and there's more than a little residual sympathy for those involved. It's a stunning entertainment, with many special effects, the civilized intelligence, the style, the wit. Succès de scandale AND succès d'estime, it's an irresistible combination.
Pub Date: Aug. 28, 1963
ISBN: 9780156372084
Page Count: 492
Publisher: Harcourt, Brace & World
Review Posted Online: Sept. 29, 2011
Kirkus Reviews Issue: Aug. 1, 1963
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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