A disturbing, suspenseful coming-of-age story about power, corruption, and the choices we make both for ourselves and the...

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I, CLAUDIA

The last thing Claudia McCarthy wanted was power—that is, until she had some.

After years of being teased for her limp and her speech impediment, Claudia enters her new high school, Imperial Day Academy, with only one goal in mind: to be as invisible as possible. That is, until her mortal enemy, the powerful Honor Council member Livia Drusus, orders her to run for Student Senate, thereby thrusting Claudia into the spotlight. Against all odds, Claudia wins her election and, after uncovering a financial scandal within the current Senate, becomes vice president. As Claudia becomes more and more powerful, she begins to question the motivations of everyone around her—including her own. This retelling of the novel I, Claudius (1934) is a gripping political thriller told through a complex narrator whose facility for coldhearted political calculation is exceeded only by her capacity for self-doubt. Claudia is white, and the story features a diverse set of characters who are neither immune to the impact of nor entirely defined by their race, queerness, or physical ability. This narratorial approach is particularly refreshing when it comes to Claudia: Most notably, unlike the majority of disabled characters in young adult fiction, Claudia falls in (reciprocated) love with a popular, nondisabled student.

A disturbing, suspenseful coming-of-age story about power, corruption, and the choices we make both for ourselves and the ones we love. (Thriller. 16-adult)

Pub Date: Oct. 1, 2018

ISBN: 978-1-5124-4846-7

Page Count: 424

Publisher: Carolrhoda

Review Posted Online: May 28, 2018

Kirkus Reviews Issue: July 1, 2018

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A sweet, slow-paced novel about a teen learning to love her body.

MY EYES ARE UP HERE

Greer Walsh wishes she were one person...unfortunately, with her large breasts, she feels like she’s actually three.

High school sophomore and math whiz Greer is self-conscious about her body. Maude and Mavis, as she’s named her large breasts, are causing problems for her. When Greer meets new kid Jackson Oates, she wishes even more that she had a body that she didn’t feel a need to hide underneath XXL T-shirts. While trying to impress Jackson, who has moved to the Chicago suburbs from Cleveland, Greer decides to try out for her school’s volleyball team. When she makes JV, Greer is forced to come to terms with how her body looks and feels in a uniform and in motion as well as with being physically close with her teammates. The story is told in the first person from Greer’s point of view. Inconsistent storytelling as well as Greer’s (somewhat distracting) personified inner butterfly make this realistic novel a slow but overall enjoyable read. The story contains elements of light romance as well as strong female friendships. Greer is white with a Christian mom and Jewish dad; Jackson seems to be white by default, and there is diversity among the secondary characters.

A sweet, slow-paced novel about a teen learning to love her body. (Fiction. 12-18)

Pub Date: June 23, 2020

ISBN: 978-1-9848-1524-8

Page Count: 352

Publisher: Dutton

Review Posted Online: March 29, 2020

Kirkus Reviews Issue: April 15, 2020

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With introspection replacing battles, this extended epilogue gives breathing room between dramatic arcs but is best for...

A COURT OF FROST AND STARLIGHT

From the Court of Thorns and Roses series , Vol. 4

A glimpse of the characters dealing with rebuilding and fallout after A Court of Wings and Ruin (2017).

In a change of pace from the usual epic struggle against powerful forces, this slimmer-than-usual volume follows the cast during the festive Winter Solstice holiday. Nods to trouble on the horizon (dissent in the Illyrian ranks, Fae courts eyeing for expansion, and a politically fraught situation among humans) remain distant, the lack of progress at times resulting in frustrating repetition. Cassian’s and Mor’s backstories are explored, and prickly Amren’s low-key relationship storyline is supplemented by her High Fae adjustments (including bodily humor). While Elain is becoming more comfortable, she still wants nothing to do with Lucien (who feels like an outsider nearly everywhere and has his hands full with a self-destructive Tamlin). Severely struggling Nesta self-medicates through alcohol, meaningless sex, pushing everyone away, and finding every last seedy corner of the otherwise utopian Velaris. While Rhys handles politics, Feyre’s storyline revolves around Solstice shopping and art’s potential for healing trauma—when the lovers aren’t telepathically sexting or craving each other. Aside from occasional minor characters, most of the inhuman cast seem white. Several plotlines are predictably resolved.

With introspection replacing battles, this extended epilogue gives breathing room between dramatic arcs but is best for readers who’d prefer downtime with the characters over high stakes. (map, preview of next title) (Fantasy. 16-adult)

Pub Date: May 1, 2018

ISBN: 978-1-68119-631-2

Page Count: 272

Publisher: Bloomsbury

Review Posted Online: May 15, 2018

Kirkus Reviews Issue: June 1, 2018

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