Even when Morris is not on her A game, she still manages to convey her passionate longing.

ALL THE WAY TO THE TIGERS

A MEMOIR

Morris chronicles her journey to India, where she sought a tiger and found herself.

The author, who has won the Rome Prize in literature and the Anisfield-Wolf Book Award for fiction, has published multiple novels, story collections, and travel memoirs, including the acclaimed Nothing To Declare. At first blush, her latest seems rather thin and underrealized, its time-shifting format a distracting affectation. Soon, however, readers will acknowledge that this approach propels rather than disrupts the narrative flow even if some of Morris’ impressionistic asides seem like random thoughts. The author recounts her devastating ankle injury in 2008, arduous recovery, and the 2011 journey to India that took her all the way to the tigers. This last is a mostly uneventful tale, defined by a raging bronchial infection, bitter cold, and long periods of disappointment in the jungle. But Morris uses these longueurs to travel within, pondering the challenging relationship she shared with her parents, youthful self-doubts, old demons, and her not-always-seamless emergence as a writer. These passages arrive with disarming candor. Though the accounts of her travails preparing for and finally traveling in India seem rather ill-humored for a veteran globe-trotter like Morris, the savvy travel writer generally shines through. Her descriptions of the villages and cities on her route are characteristically honest, observant, and striking. Her reports on the nature of the Bengal tiger, as well as conservation efforts to restore its numbers, add to our understanding of the animal and its place in the human imagination. For Morris, the restless child who became a restive traveler, the adventure is always about seizing the moment, impermanence, and escape. "Real travelers, like real writers, move through the world like a child,” she writes. "With a child's sense of wonder and surprise. To move as if you’ve never been somewhere before, even if you’ve been there a thousand times.”

Even when Morris is not on her A game, she still manages to convey her passionate longing.

Pub Date: June 9, 2020

ISBN: 978-0-385-54609-6

Page Count: 240

Publisher: Nan A. Talese

Review Posted Online: Feb. 7, 2020

Kirkus Reviews Issue: March 1, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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