Serenely calibrated, pleasant and heartfelt.
Rambling author Morris (Revenge, 2004, etc.) hires a houseboat and captain to take her down the Mississippi on the trail of Mark Twain and the father she missed.
Restless in middle age, with a newly empty Brooklyn nest (daughter Kate had recently left for college), Morris decided it was time to shake her anxiety and prescription drugs for a travel adventure she could make into a new book. She located the River Queen, a sturdy, grime-ridden boat dry-docked near La Crosse, Wisc., and struck a deal with its hard-of-hearing captain, Jerry. Together with the ship’s mechanic Tom and his beloved little black dog (who snarled and lunged at Morris), they eventually got it together and took off downstream two weeks after Hurricane Katrina. It was a poignant journey for Morris, who grew up in Chicago, went East for college in the mid-1960s and never looked back. Her father, who died in 2005 at the age of 102, used to sell ladies’ garments at Klein’s Department Store in Hannibal, Mo., Mark Twain’s legendary hometown. Dad later moved to Illinois and got rich creating the first Midwestern malls, but Morris was raised on his river tales. The trip itself was fairly uneventful, though she was sad to see once-great river towns like Dubuque, Muscatine and Hannibal hollowed by suburban malls. With patient Jerry’s help, Morris learned to steer, navigated the river’s system of locks and dams, endured storms, adjusted to crawling river time and mastered tying a seaman’s knot. Her ineptitude is endearing, as is her need for showers and order on board. Along the way, she offers history about the muddy, meandering river and her angry, aphorism-spouting, toupee-wearing father.
Serenely calibrated, pleasant and heartfelt.Pub Date: April 3, 2007
ISBN: 0-8050-7827-4
Page Count: 288
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2007
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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