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WALL TO WALL

FROM BEIJING TO BERLIN BY RAIL

The further travels of Morris, short-story writer and novelist (The Bus of Dreams, 1985, etc.) and author of Nothing to Declare, which documented her adventures as a woman alone on the road in Central America. Morris's brand of travelogue is again unique, never a simple summoning up of pretty landscapes, but rather an intensely personal portrait of self in foreign climes, carrying a full load of emotional baggage. Beijing is her jumping-off point for a journey on the Trans- Siberian Railroad, taking her through Mongolia, over the Urals to Moscow, Leningrad, and at last to the Ukraine—birthplace of her Russian Jewish grandmother. Alas, ten days before she leaves, the Chernobyl nuclear disaster puts the later part of her itinerary in jeopardy. But she perseveres, finding China frustrating since her train tickets aren't forthcoming and she's separated from her ``companion,'' a somewhat ambivalent significant other from back in New York. Her long days on the train across Siberia are a wash of listlessness and garrulous fellow passengers. It isn't until she reaches Moscow that she realizes the Ukraine is too dangerous to attempt, particularly when she discovers she's pregnant. In Leningrad she meets refuseniks and a gentleman who wants to buy her underwear from her, since his girlfriend likes American lingerie. And finally in Berlin she accepts that she'll never reclaim her childhood by visiting her grandmother's homeland—a sorrow tempered by her decision to keep her baby, whether her companion marries her or not. This pre-glasnost travelogue is decidedly grim, solitary, and internal, hardly so high-stepping as Morris's account of her wanderings in Central America. Still, it's an interesting installment in the story of how she changes as she moves over the earth, raising expectations for a third volume documenting future journeys, perhaps with a baby on board.

Pub Date: June 1, 1991

ISBN: 0-385-41465-X

Page Count: 288

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1991

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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