A delightful celebration of a consuming passion.
The New Yorker’s acclaimed “Comma Queen” explores her captivation with all things Greek.
Norris (Between You & Me, 2015), whose first book recounted her career in the New Yorker’s copy department, offers an exuberant memoir of her transformation from a sheltered schoolgirl in Ohio to a passionate Hellenophile. Thwarted by her father from learning Latin—“Was Dad against education for women? Yes”—the author revived her fascination for dead languages after seeing Time Bandits, part of which was set in ancient Greece. Since the New Yorker generously paid tuition for classes that had some bearing on an employee’s work—as a copy editor, knowing Greek could be helpful—Norris enrolled in modern Greek and ancient Greek courses at NYU, Barnard, and Columbia. The Greek alphabet enthralled her. It was adapted radically, she discovered, from the Phoenician alphabet into “a tool for the preservation of memory, for recording history and making art.” Delving into etymology, Norris makes a case for the enduring vitality of Greek by revealing its widespread roots in English. Ancient Greek, she asserts, “is far from dead.” As she painstakingly immersed herself in learning the language, the author took her first trip to Greece, where she “shot around the Aegean like a pinball,” making brief stops in Crete, Rhodes, Cyprus, Samos, Chios, and Lesbos. As a solo traveler, she found herself the object of much male attention. “Dining alone in restaurants,” she reports, “I was a tourist attraction unto myself.” That trip incited her desire to return—she recounts subsequent journeys in lyrical detail—as well as to tackle Greek classics: “I wished there were some way I could be Greek or at least pass as Greek, just by saturating myself in Greekness.” She devoured books by Lawrence Durrell and, especially, Patrick Leigh Fermor, two renowned philhellenes, and she steeped herself in heroes, myths, and, gleefully, goddesses. Mythology, she writes, gave her myriad models for women’s roles beyond “virgin, bride, and mother,” choices that seemed so constricting to her as she grew up.
A delightful celebration of a consuming passion.Pub Date: April 2, 2019
ISBN: 978-1-324-00127-0
Page Count: 240
Publisher: Norton
Review Posted Online: Dec. 29, 2018
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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