A lyrical, tender essay collection.

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UPSTREAM

SELECTED ESSAYS

The Pulitzer Prize–winning poet lovingly reflects on her relationship to nature and the written word.

As a child, Ohio native Oliver (Felicity: Poems, 2015, etc.) found her greatest solace in “two…blessings—the natural world and the world of writing.” In this collection, she provides readers glimpses into the solitary but rich world she has inhabited as a poet. The first of five untitled sections deals loosely with Oliver’s childhood, when she discovered the pleasures of the natural world and poet Walt Whitman, “the brother I did not have.” Oliver also discusses “the inner vision” that has guided and driven her as she has moved “upstream” against conventional life currents. In the second section, the poet offers observations on the forests, beaches, and watery places she loves. For her, all living things are interconnected: “not at this moment but soon enough, we are lambs and we are leaves, and we are stars, and the shining, mysterious pond water itself.” The third section contains Oliver’s musings on three writers—Emerson, Poe, and Wordsworth—who taught her about the writing craft and about living life with intelligence and sensitivity. Her fascination with animals defines the fourth section of the book. Like the bear that “rub[ed] up against the Provincetown Town Hall,” they are as much her companions as they are “ambassador[s] of a world that returns now only in poets’ dreams.” And while she must live in places meant for humans, it is the “temple” of nature to which she endlessly returns. In the final section, Oliver briefly considers Provincetown, which was her home of 50 years. Overfishing and climate change have transformed it into “a town of pleasure,” yet one that has for her always been “heaven.” Part paean to nature and part meditation on the writing life, this elegant and simply written book is a neo-Romantic celebration of life and the pursuit of art that is sure to enchant Oliver’s many admirers.

A lyrical, tender essay collection.

Pub Date: Oct. 11, 2016

ISBN: 978-1-59420-670-2

Page Count: 192

Publisher: Penguin Press

Review Posted Online: Aug. 9, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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Jahren transcends both memoir and science writing in this literary fusion of both genres.

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LAB GIRL

Award-winning scientist Jahren (Geology and Geophysics/Univ. of Hawaii) delivers a personal memoir and a paean to the natural world.

The author’s father was a physics and earth science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Both of these early influences engrossingly combine in this adroit story of a dedication to science. Jahren’s journey from struggling student to struggling scientist has the narrative tension of a novel and characters she imbues with real depth. The heroes in this tale are the plants that the author studies, and throughout, she employs her facility with words to engage her readers. We learn much along the way—e.g., how the willow tree clones itself, the courage of a seed’s first root, the symbiotic relationship between trees and fungi, and the airborne signals used by trees in their ongoing war against insects. Trees are of key interest to Jahren, and at times she waxes poetic: “Each beginning is the end of a waiting. We are each given exactly one chance to be. Each of us is both impossible and inevitable. Every replete tree was first a seed that waited.” The author draws many parallels between her subjects and herself. This is her story, after all, and we are engaged beyond expectation as she relates her struggle in building and running laboratory after laboratory at the universities that have employed her. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student at Berkeley and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist.

Jahren transcends both memoir and science writing in this literary fusion of both genres.

Pub Date: April 5, 2016

ISBN: 978-1-101-87493-6

Page Count: 336

Publisher: Knopf

Review Posted Online: Jan. 5, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...

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H IS FOR HAWK

An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.

Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.

Pub Date: March 3, 2015

ISBN: 978-0802123411

Page Count: 288

Publisher: Grove

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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