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THIS IS WHY I CAME

An affecting flash-fiction reimagining of the Good Book.

A set of revised Bible stories with an eye toward better highlighting the role of women and presenting a God who's as conflicted as those he made in his image.

The second novel by Rakow (The Memory Room, 2002) opens with a woman visiting a confessional for the first time in more than 30 years and bearing a “Bible of her own” filled with brief, often poetic recastings of the Old and New Testaments. The general narrative arcs remain intact in these retellings—Cain slays Abel, a burning bush appears before Moses, Jesus is tempted in the desert, and so forth. But Rakow thoughtfully offers sensitive and complex readings that are free of moral thundering. For instance, the source of Jesus’ temptation is not Satan but Jesus himself, and Noah’s tale is less about the fate of the Earth than of Noah’s own marriage: “his wife and family senseless on the water, the life they had, obliterated.” Nobody is more self-questioning here than God himself, whose mercurial nature is sparked by his need “to be loved not for his power or his omniscience but for his mercy.” Rakow also emphasizes the women in the Bible, particularly in the New Testament stories, including the Virgin Mary, Mary Magdalene (here one of Jesus’ close confidantes), the “unclean” woman with an issue of blood, and more; the crucifixion is seen largely from the perspective of a young peasant, Veronica. Rakow doesn’t radicalize the Bible—only a hard-liner would take offense at her interpretations—but she does make it more humanistic and poetic; as the endnotes explain, she’s borrowed some lines from Jack Gilbert and Henri Cole. The effect is occasionally overly airy, but she gets credit for using religious language while avoiding familiar sentiment and interpretations.

An affecting flash-fiction reimagining of the Good Book.

Pub Date: Dec. 8, 2015

ISBN: 978-1-61902-575-2

Page Count: 204

Publisher: Counterpoint

Review Posted Online: Sept. 22, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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ABSOLUTE POWER

The mother of all presidential cover-ups is the centerpiece gimmick in this far-fetched thriller from first-novelist Baldacci, a Washington-based attorney. In the dead of night, while burgling an exurban Virginia mansion, career criminal Luther Whitney is forced to conceal himself in a walk-in closet when Christine Sullivan, the lady of the house, arrives in the bedroom he's ransacking with none other than Alan Richmond, President of the US. Through the one-way mirror, Luther watches the drunken couple engage in a bout of rough sex that gets out of hand, ending only when two Secret Service men respond to the Chief Executive's cries of distress and gun down the letter-opener-wielding Christy. Gloria Russell, Richmond's vaultingly ambitious chief of staff, orders the scene rigged to look like a break-in and departs with the still befuddled President, leaving Christy's corpse to be discovered at another time. Luther makes tracks as well, though not before being spotted on the run by agents from the bodyguard detail. Aware that he's shortened his life expectancy, Luther retains trusted friend Jack Graham, a former public defender, but doesn't tell him the whole story. When Luther's slain before he can be arraigned for Christy's murder, Jack concludes he's the designated fall guy in a major scandal. Meanwhile, little Gloria (together with two Secret Service shooters) hopes to erase all tracks that might lead to the White House. But the late Luther seems to have outsmarted her in advance with recurrent demands for hush money. The body count rises as Gloria's attack dogs and Jack search for the evidence cunning Luther's left to incriminate not only a venal Alan Richmond but his homicidal deputies. The not-with-a-bang-but-a-whimper climax provides an unsurprising answer to the question of whether a US president can get away with murder. For all its arresting premise, an overblown and tedious tale of capital sins. (Film rights to Castle Rock; Book-of-the-Month selection)

Pub Date: Jan. 18, 1996

ISBN: 0-446-51996-0

Page Count: 480

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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