SHADOWS FROM THE FIRE

From Irish author Ryan (Glenallen, 1993 etc.), a glowering indictment of the double standard in her native land. Patricia married dense Gerry 20 years earlier, on the rebound from Paddy, her passionate love. Now financially secure and the mother of two teenagers, she is bored silly. Attempting to communicate with Gerry is frustrating, and sex is a chore. Then Paddy reappears in her life, still handsome, now successful, also married (also on the rebound). Their re-encounter ignites an affair, complete with days of wine, roses, and burgeoning doubts in Paris for Pat. Protagonist number two, Joan, toils as a lawyerunderappreciated and overworkedto support her beloved husband, painter David, who is ill and neurotically obsessed with guilt because of his brother's death in childhood. When he becomes successful, David shrugs off his dependency on Joan, who ponders, ``Her strength had been squandered, poured without reckoning into his sustaining.'' Sad, doomed Sarah (heroine number three), the mother of three with another on the way, is a textbook victim, married to a wife-beater. With the help of Joan and Pat (a former classmate), Sarah takes the first step toward freedom...but not soon enough. Eventually, Joan and David reach a new plateau of understanding while Pat, intuiting the potentially corrosive differences between Paddy's focus on the affair and her own, makes a liberating decision. As Ryan views it, the real villains here are social and judicial tolerance of abuse of women and, as always, the ego-squashing, tradition-fostered yoke of marriage in which the wife ceases to be an independent being. Her characters move fast and efficiently in the heat of this Message. An engrossing broadside in the struggle for true partnership between the sexes.

Pub Date: Aug. 1, 1995

ISBN: 0-312-13168-2

Page Count: 288

Publisher: Dunne/St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 1995

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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