An ambitious fictional biography burdened by an overly intricate plot.
The identity of Shakespeare’s Dark Lady is still a mystery, but Sharratt’s picaresque novel portrays one of the worthiest candidates.
Aemilia, illegitimate daughter of Battista Bassano, a Venetian Jew in exile and a renowned musician in Queen Elizabeth’s court, enjoys a privileged upbringing. But her father’s death and her stepsister’s marriage to a ne’er-do-well impoverishes her family. Rescued and educated by a Puritan noblewoman who later abandons her, Aemilia becomes, at 16, the mistress of Lord Hunsdon, Elizabeth I’s chamberlain, himself an illegitimate son of Henry VIII. When Aemilia becomes pregnant at 23, Hunsdon marries her off to Alfonse Lanier, a dissolute Frenchman. After Lanier wastes all her wealth, Aemilia contacts Will Shakespeare, an unsuccessful playwright of dull history plays, with a proposition. With her vivid imagination and superior education, she will co-author plays with the yet-to-be Bard, and they will split the profits. News of an unexpected legacy takes her to Venice, where she keeps her Jewish identity, and often her gender, secret. (She dresses in men’s clothes when she needs to escape the many strictures on women.) Shakespeare, with not a thought for his wife, Anne Hathaway, and their three children, accompanies Aemilia (and Henry, her son by Lord Hunsdon) to Italy, where the two lead an idyllic existence at her inherited Veronese villa, co-writing Twelfth Night and Romeo and Juliet (as a comedy)—and falling in love. Here, Will pens his “Dark Lady” sonnets—but the bloom falls precipitously off the rose when he learns of the death of his son, Hamnet. Plunged into intractable remorse, Will parts ways with Aemilia, and both return to England by separate routes. However, Aemilia has possession of their joint work product—and Will’s unborn child. The many challenges of life in Elizabethan England, particularly for women, are expertly captured by Sharratt, who heretofore has brought similar life to another gifted woman, Hildegard of Bingen (Illuminations, 2012).
An ambitious fictional biography burdened by an overly intricate plot.Pub Date: April 19, 2016
ISBN: 978-0-544-30076-7
Page Count: 416
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Feb. 3, 2016
Kirkus Reviews Issue: Feb. 15, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
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