A solid addition to the Manga Classics series of literary adaptations.
Aboard a North Pole expedition ship, a gaunt Victor Frankenstein recounts the events that led him to the Arctic in this adaptation of the original 1818 version of Mary Shelley’s classic.
As a youth, Frankenstein had an interest in natural philosophy, which led him to pursue scientific studies at the University of Ingolstadt. His mastery of the curriculum progressed swiftly, and his thirst for knowledge turned toward the arcane—specifically, to the origin of life, which Frankenstein discovered after nights of grisly research and a moment of electrifying inspiration. He applied his discovery to the construction of a massive being, and on one fateful evening, he brought the being to life. What follows is a struggle between creator and creation, each presented as villain and victim and alike in wretchedness. Illustrator Liu vividly depicts Frankenstein’s and the creature’s emotions, capturing the force of their rage and horror. Frankenstein’s eyes are especially expressive, giving greater impact to the scenes in which his face is partially obscured. Visual details are concentrated on the foreground, with panel backgrounds frequently blank, filled by a gradient, or lightly sketched. This serves to draw readers’ attention to the characters, though the simplicity of the background art also detracts from scenes meant to highlight the sublimity of nature. Characters are depicted as White.
A solid addition to the Manga Classics series of literary adaptations. (cast of characters, how to read manga, character design sketchbook, artist's note, adaptor’s note) (Graphic novel. 13-18)Pub Date: Nov. 10, 2020
ISBN: 978-1-947808-16-4
Page Count: 324
Publisher: Manga Classics
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Flipping awesome.
After a wish goes wrong, a girl and her crush must figure out how to break a body-switching curse.
Chi-Chi Ekeh feels invisible. Like her previous crushes, hot varsity swimmer Flip Henderson—yet another rich white boy at her Texas boarding school—seems unaware of her existence. With only weeks until graduation, Nigerian American Chi-Chi’s friends Esther and Yesenia dare her to ask Flip to Senior Festival. But Flip accidentally shows her promposal video to the whole class—and immediately turns her down. Embarrassed, Chi-Chi flees, but her innocent remark—“I just wish Flip Henderson liked me”—has unexpected consequences. After falling and hitting her head, Chi-Chi wakes up in Flip’s body, and he in hers. Freaked out beyond belief and regularly switching bodies, Chi-Chi and Flip work with Esther and Yesenia to break the curse. Meanwhile, forced to see herself through someone else’s eyes, Chi-Chi must confront uncomfortable feelings. There’s much to love about this book. The fully realized and sympathetic characters, sincere and humorous development of friendships, and protagonist’s relatable and bittersweet emotional journey will keep readers engaged, eager to reach the resolution. Ukazu carefully balances tough topics like self-hatred, depression, and suicidal ideation with funny feel-good moments, deftly rendered in her characteristically expressive style. The dynamic and engaging illustrations bring to life a heartwarming story of self-love, acceptance, and true connection.
Flipping awesome. (author’s note) (Graphic fiction. 14-18)Pub Date: Sept. 23, 2025
ISBN: 9781250179517
Page Count: 320
Publisher: First Second
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
Will appeal to manga fans but raises questions around depictions of racialized material.
An illustrated reimagining of one of Shakespeare’s most memorable tragedies.
From the very beginning of this clever adaptation, effort is made to prioritize accessibility of both the manga form and the classic Shakespearean play: The frontmatter briefly highlights the reading direction of the panels, and characters are labeled when introduced, coming to life via a striking combination of early modern Venetian dress; quintessential manga hairdos and facial expressions; and pronounced linework. Like the rest of the series, this account of Othello remains faithful to the original. The black-and-white illustrations allow for Iago’s conniving manipulations to manifest visually as well as animating characters’ bigotry in impactful, distressing ways. However, there are shortcomings: Where the original text may use parentheticals and asides to progress the story, the occasional appearance of parentheses in speech bubbles are a distracting reminder that comics utilize storytelling tools that haven’t been fully adopted here. Likewise, panel after panel of Othello’s turn to violence and his enraged face obscured by shadow provide a poignant dramatic effect but seem to exacerbate prejudices inherent to both the play and medium. Not only is the titular character visually distinguished from other characters by his shading, hair, lips, and overall size, unfortunately neither Shakespeare nor the illustrator seem wholly prepared for a contemporary conversation regarding racial representation in one of literature’s most infamous depictions of othering.
Will appeal to manga fans but raises questions around depictions of racialized material. (adapter’s notes, character designs) (Graphic fiction. 13-18)Pub Date: May 25, 2021
ISBN: 978-1-947808-13-3
Page Count: 420
Publisher: Manga Classics
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
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