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SOLACE

RITUALS OF LOSS AND DESIRE

Tonic for malcontents: goes down easily and leaves a lingering, pleasantly sweet and sour aftertaste.

Engaging memoirs of a search for life with meaning that has taken the author from young wife and mother to hippie peacenik and feminist counselor to writer and environmental activist.

Sojourner (Delicate, 2001), a contributor to NPR’s Morning Edition, begins with her Catholic childhood in upstate New York. Unsettled by a brilliant, neurotic mother and weak, frightened father, she found her security in reading stories. The following decades brought early marriage and motherhood, a succession of lovers, life in an “urban, anarchist, agrarian commune,” and deep unrest and unhappiness. With rent, food, and childcare covered by various Great Society programs, she returned to college to study sociology, had her consciousness raised by a women’s-studies class, and within a few years was teaching feminist courses and getting even with all the wrongdoing men in her life. In middle age she discovered the work of Edward Abbey, particularly The Monkey Wrench Gang and Desert Solitaire, and moved to Flagstaff, Arizona, where she now lives alone (her children are grown and on their own) in a small cabin with electricity but no running water. In graceful, brief essays, Sojourner writes about finding her life’s true work and her spiritual home, about slowing down the pace of a too-fast life, connecting with a place, and making friendships with other people who care for that place. Keeping her memoirs from sliding into a smugness are revelations about the author’s devotion to casinos and slot machines, her addiction to her computer’s Scrabble game and e-mail, her troubles with drinking, and her disappointments with men. A portrait emerges of a strong, mature woman, thoughtful, witty, candid, and, if not exactly serene, then content with and even proud of the life she has made for herself and the work she is doing to preserve the beauty of the land around her.

Tonic for malcontents: goes down easily and leaves a lingering, pleasantly sweet and sour aftertaste.

Pub Date: March 1, 2004

ISBN: 0-7432-2968-1

Page Count: 208

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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