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THE CURE FOR ANYTHING IS SALT WATER

HOW I THREW MY LIFE OVERBOARD AND FOUND HAPPINESS AT SEA

A lot of back-patting and New-Agey good feeling, but precious little of sailing (or emotional) substance.

Frank but self-congratulatory coming-of-middle-age memoir about sailing from Florida to Maine on a 40-foot trawler.

A New York book editor who had recently relocated to a dull managerial job in rural Pennsylvania, still reeling from her breakup with longtime girlfriend Leslie, South chucked it all to buy the Shady Lady and attend a nine-week professional mariner training course in Florida. Then she set out on the Bossanova (renamed to commemorate her fondness for things Brazilian) with two Jack Russells and a classmate to sail 1,000 miles up the East Coast. Despite the fact that John was a Republican from Chicago who drove a Cadillac and referred to women as broads, the two were surprisingly companionable; together they braved storms, navigated at night, nearly capsized and drank at marina bars. After John disembarked at Sag Harbor, Long Island, South met a good-looking sailor named Lars, with whom the hitherto exclusively gay author enjoyed a surprisingly satisfying affair while sailing to Maine and painting his barn over the summer. There’s not much substance to this flimsy narrative, which features a good deal of shipboard daydreaming about former lovers who didn’t stay. South comes across as so emotionally needy that it’s hard to see how she managed to make such a risky trip (and in fact, she relied greatly on the help of men). In the end, her account of this supposedly life-changing experience seems more calculating than heartfelt.

A lot of back-patting and New-Agey good feeling, but precious little of sailing (or emotional) substance.

Pub Date: June 1, 2007

ISBN: 978-0-06-074702-2

Page Count: 224

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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