The English author of A Sensible Life (1990) and other witty, elegant novels continues her cheerful splaying out of human rottenness, eruptions of goodness, and general asininity—all with a faint brushing of enchantment. Here, in an ancient, lakeside, woodside estate (viewed in time slices from 1944 to 1990), a dear man of admirable affections has been cursed with a marital legacy from a deceased, high-minded father. To Cotteshaw, the country house of Henry Tilotson, come Barbara and Antonia, ``two determined little beauties'' who think Henry is rather ``dishy.'' The young things have just accepted the proposals of two rather stodgy young men, thereby escaping boring jobs and parents (``all the usual'' reasons). Meanwhile, in Midsummer Night's Dream fashion, the lovers quarrel, love, and stalk off by wood and water as preparation for an outdoor dinner party gets underway. Anticipation shimmers, but upstairs—where she stays all the time—is beautiful Margaret, the bad fairy—Henry's simply awful, horrid wife. Finally, the guests arrive: a sweet homosexual couple, a brace of bores, the lovers, an old flame of Henry's and her husband, and the servants—a faithful retainer and a mother and son rescued years ago, by Henry's father, from death in Spain. It's happy time by the dark woods—until it's ``ill met by moonlight'' when Margaret arrives to perform savage and terrible acts, scattering the feast and wits. Years later, Margaret will drown (a joyous event with mystery attached). Also as the years pass—alas—lovely girls grow old (but there are secrets), and Henry leaves, unlike his father's ``dubious legacy,'' something quite marvelous. As always, the dialogue snaps with vigor, and there are delightful signature touches (e.g., animals have a haunting presence—from Henry's Greek chorus of dogs to the antic cockatoo, Margaret's sacrificial victim). For Wesley fans: another bright and biting novel.
Pub Date: Nov. 1, 1992
ISBN: 0-670-84672-4
Page Count: 272
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1992
PERSPECTIVES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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