Memoirist Hornbacher (Wasted, 1988) dilutes the impact of her sensitively told story through overdoses of cuteness and...
A poignant but soft-centered debut novel about family loss and survival.
In rural Minnesota, Kate (6) and Esau (12) grow up aware of mental illness in their family. Their aunt committed suicide, her history pointing forward to the story’s twin axes. Their father, Arnold, has forsaken work for a life of drinking, and Esau is having “episodes” that deepen to delusional behavior, leading to his incarceration in State, the local mental hospital. Under this pressure, his parents’ originally satisfactory but now strained marriage cracks. At Christmas, after an unhappy visit to Esau, Arnold shoots himself. His widow, Claire, takes Kate and spends a while with her surprisingly supportive in-laws. She isn’t ready to tell Esau of his father’s death, or to enter the room where it happened. But as spring arrives, Esau is strong enough to come home and be told the truth. The narration is shared among Kate, Claire, and Esau, and we learn of the boy’s unusually tolerable time at State: colorful but endearing inmates, kindly staff. At home again, he struggles to be well, aided by preternaturally helpful Kate. Together, the two support Claire, who is relying on drink and her friendship with Donna—the mother of Kate’s best friend—to get through. Claire and Donna discuss weak husbands and failing marriages, subjects Donna understands, being married to Dale, an unhappy Korean War vet who has also taken to drink. One exception to this run of weak, dissolute males is Frank, the local bar-owner, who possesses both a library and a button collection. He and Claire begin to date, causing some anxiety among the children. Donna is also seeing another man, creating greater anxiety in Dale. On the night Claire consummates her relationship with Frank, Dale commits suicide too. But Kate’s epilogue reveals a happier future for her family.
Memoirist Hornbacher (Wasted, 1988) dilutes the impact of her sensitively told story through overdoses of cuteness and foreboding.Pub Date: Feb. 1, 2005
ISBN: 0-06-019226-7
Page Count: 352
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2004
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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