Make that over 500 animals—and practice aplenty both in counting and in spotting tiny details.
A bear band, armies of “Piggy Chefs” and carpenter beetles, a rabbit circus and a flight of birds march single file in succession along a winding path as other creatures look on. Each troupe or group is 100 strong, and each (except for the birds, which are relatively generic) is composed of small, smiling, brightly colored cartoon figures bearing different instruments, dishes, tools or other distinguishing items. Sebe slips in comical byplay to track and also adds lines of parade chatter and captions that invite viewers to keep count. They are challenged to look for “girl bears” (presumably the marchers with the long eyelashes), the bear carrying the piano, a piggy that loves carrots, a can of blue paint and dozens of like features. Not all 100 of each creature appear on any one spread; instead, they snake along over page turns. The challenge is mitigated by occasional place-holding markers and a declaration on the part of the last of each animal of its kind that it’s bringing up the rear. At the end, the author crams all of the marchers into a teeming spread with a handful of new objects to pick out.
Sexist note aside, it’s a delight for children with obsessive tendencies…and even those with shorter attention spans may find it hard to put down. (Picture book. 4-6)Pub Date: March 1, 2013
ISBN: 978-1-55453-871-3
Page Count: 24
Publisher: Kids Can
Review Posted Online: Jan. 16, 2013
Kirkus Reviews Issue: Feb. 1, 2013
Categories: CHILDREN'S CONCEPTS
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BOOK REVIEW
BOOK REVIEW
Laugh-out-loud fun for all.
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Hilarious complications ensue when Nanette’s mom gives her the responsibility of buying the family baguette.
She sets out on her errand and encounters lots of distractions along the way as she meets and greets Georgette, Suzette, Bret with his clarinet, Mr. Barnett and his pet, Antoinette. But she remembers her mission and buys the baguette from Juliette the baker. And oh, it is a wonderful large, warm, aromatic hunk of bread, so Nanette takes a taste and another and more—until there is nothing left. Maybe she needs to take a jet to Tibet. But she faces her mother and finds understanding, tenderness, and a surprise twist. Willems is at his outlandish best with line after line of “ettes” and their absurd rhymes, all the while demonstrating a deep knowledge of children’s thought processes. Nanette and the entire cast of characters are bright green frogs with very large round eyes, heavily outlined in black and clad in eccentric clothing and hats. A highly detailed village constructed of cardboard forms the background for Nanette’s adventures. Her every emotion explodes all over the pages in wildly expressive, colorful vignettes and an eye-popping use of emphatic display type. The endpapers follow the fate of the baguette from fresh and whole to chewed and gone. Demands for encores will surely follow.
Laugh-out-loud fun for all. (Picture book. 3-6)Pub Date: Oct. 25, 2016
ISBN: 978-1-4847-2286-2
Page Count: 40
Publisher: Hyperion
Review Posted Online: Aug. 2, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Categories: CHILDREN'S CONCEPTS
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BOOK REVIEW
BOOK REVIEW
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 8, 2019
Kirkus Reviews Issue: June 1, 2019
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