by Masha Gessen photographed by Misha Friedman ‧ RELEASE DATE: Feb. 27, 2018
A book that belongs on the shelf alongside The Gulag Archipelago.
A charged indictment of Soviet terror and historical amnesia alike.
If one were needed, a sure sign of the increasingly totalitarian drift of Putin’s Russia is the steady rehabilitation of Stalin, long hidden away but now safe enough to be commemorated at a Moscow subway stop. Moscow-born journalist Gessen (The Future Is History: How Totalitarianism Reclaimed Russia, 2017, etc.), the indefatigable chronicler of the low-grade fever of tyranny, provides a searching text on the prison state that was Stalin’s Russia, accompanied by photographs by Moldovan native Friedman. His work is much reminiscent of Cartier-Bresson’s, though with a darkness and graininess that suggest that a permanent pall lies atop the Siberian landscape, a place of endless uranium mines and cemeteries. The text opens with Gessen’s meditation on what might have happened to the Swedish diplomat Raoul Wallenberg, spirited into the gulag at the end of World War II and one of its best-known occupants. As the author notes, were he alive, he would be 104, which makes his death “finally, a fact,” if one with “no known circumstance of specific cause.” So it is with the whole gulag enterprise: if it were meant to terrorize the populace on the part of the apparatchiks and secret police, “then shouldn’t they want to carry out the executions in the public square?” No, and for some reason, most of the extrajudicial activity of the Soviet state took place in darkness. As they travel the land, Gessen and Friedman document some of the efforts of Russians to commemorate the fallen, such as a reconstructed labor camp so chillingly accurate in its detail that, a former political prisoner averred, it “felt exactly like a real Soviet-era prison camp,” a comment its restorer and curator accepted as a compliment. But those efforts may be vain, Gessen suggests, in the face of widespread public indifference in the Putin era, as if to say that the Soviet terror “just happened, whatever.”
A book that belongs on the shelf alongside The Gulag Archipelago.Pub Date: Feb. 27, 2018
ISBN: 978-0-9977229-6-3
Page Count: 160
Publisher: Columbia Global Reports
Review Posted Online: Nov. 20, 2017
Kirkus Reviews Issue: Dec. 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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